Recommendation XXXXIII: Danielle Peck

Today was an interesting day: I slept in ’til 11am (didn’t work today), ate lunch, headed to the park to take a run (I don’t get to run too often because of the cold weather and my freakin’ asthma lol), and when I got back, had to deal with a stalled car – the engine’s battery had gone out. That was my fault because stupid me left the car’s fan running on battery power while I was sitting in there for too long and it cost me. I was stuck there for about an hour, going around asking people for help like a loser and ask if they had jumper cables (I’m sure some did, but they were either scared or just mean haha). Anyway, a trio of strangers assisted me, with no problem at all, and kindness in their hearts. I think God wanted to prove two things to me today: there are still good people in this world, and don’t be an idiot and leave the battery running when it’s not necessary (and to buy jumper cables!).

My forty-third recommendation is: Danielle Peck’s “A Woman Does Too” from her 2006 Danielle Peck album.  I would still consider Danielle to be one of my favorite newer female singers in Nashville.  Her stunningly smoking beauty aside, she’s really talented and rather equipped with a distinctive and lovely voice with fine songwriting skills.  I first heard Danielle Peck‘s debut single, “I Don’t”, and took to it quickly (how could you not like a song that says “The difference is: Jesus loves you… I don’t.” ?).  And sure, after I researched her myspace and saw her gorgeous pictures, I did like her more, however I was even more so impressed with her music and with one website that listed her two influences: Patty Loveless and Trisha Yearwood.  I ended up pre-ordering her debut CD through MusiCountry, which offered an autographed album cover that I couldn’t resist.  After that, with singles, “Findin’ a Good Man”, and the similar, “Bad for You”, I knew I really liked her (I’m not really into “Isn’t That Everything?”, but it is catchy, I will admit).  I also like how the first two singles I mentioned in the last sentence are pretty country, but definitely contemporary/mainstream (the choruses are traditional-country/honky-tonk-like sounding, but the beats and the rest of it are pretty pop and rock-sided, somewhat like Shania Twain‘s “Any Man of Mine” is).

Top 16 Favorite CM Radio Singles of 2008

It took me a while to think up of a list.  I wanted to keep it mainly mainstream-based (my excuse for not including alternative country/americana singles, those of which I really couldn’t list lol).  I didn’t listen to a whole lot of mainstream country radio this year, as compared to past years, because of, of course, XM Radio and my iTunes/iPod.  My list definitely includes, and excludes, singles that other sites have placed on their year-end lists.  For my own, I was bent on making sure that the tracks considered were mostly 2008-played singles, and so I came up with these.  Some of these are surprises and others maybe not so much.

Happy New Years to everyone and hopefully your 2009 is much better (I know the first half of my ’08 was much better than the second, but I am satisfied with the time I got the spend the time with my family over this time – and kinda crazy – but it’s been a great year).  Btw, the pic above I chose because I was pretty green the whole year and I thought it looked nice, especially as a negative, as it is now)

Time to reveal my:

Top 16 Favorite Country Music Radio Singles of 2008:

• 16. “No Air” – Rissi Palmer:
  • Call me surprised as well.  When Rissi first came about, I supported her, but didn’t particularly care for her debut single (“Country Girl”).  It wasn’t until I heard her “countrified” remake of Jordin Sparks & Chris Brown’s pop hit, “No Air” that I became really interested.  Though Rissi’s version is still very poppy, I find myself lovin’ the heavy fiddle, mandolin, and steel production with the catchy vocals.  Too bad it wasn’t a hit.  Woulda been sorta cool if she maybe made this a duet with Keith Urban or something.

• 15. “Workin’ for a Livin’” – Garth Brooks & Huey Lewis:
  • Hahaha, another remake, I say?  Yes.  I find this a very catchy track, and it’s classic Garth: full of bluesy harmonica and rockin’ fiddle.  It’s like a hybrid of “Ain’t Goin’ Down (‘Til the Sun Comes Up)” and “Beer Run”.  To be quite honest, before this, I didn’t really know who Huey Lewis was, but had heard of him.  The music video is really cool and liking the NASCAR-theme.  Definitely a fun number to listen to and the lyrics are totally true.  I could do without the “working” female background vocals, however.  They’re annoying lol.

• 14. “Sounds So Good” – Ashton Shepherd:
  • The song title explains itself on how I feel about the track.  I love her über-twangy accent (I used to hate when people used that term, but it’s fine if I do it) and it confirms how much she loves being at home in the country.  Reminds me of the summer and of being out in the Arizona desert.  It’s contemporary country with traditional country soul.  I’m glad this song got played a decent amount, which was more than expected since radio kinda sucks.

• 13. “You and Me and Time” – George Jones & Georgette Jones:
  • I don’t think this song went anywhere on the charts, and was one of the best songs of 2008, IMO.  Georgette has such a beautiful voice and it’s very reminiscent of her mother, Tammy Wynette.  The song is about her childhood relationship with her father, and his absence that shadowed those times, and now, they’ve got time to be closer than ever.  It’s a sweet and pure country duet.  In the chorus, I love the pause after “time” and before “finally got together“… awesome.

• 12. “Rocks In Your Shoes” – Emily West:
  • Another one gone… newcomer Emily West really impressed me this one.  Very poppy, but as proven, country-pop can be done well, and she did it.  She got the title of the song from a phrase her grandfather used to say, if I’m not mistaken, and it took a big meaning.  Her voice reminds me of a younger, playful Patty Loveless.  One of the most catchiest songs of the year.  Check out her EP.

• 11. “His Kind of Money (My Kind of Love)” – Eric Church:
  • My favorite single from this guy.  I’ve never been too big on him, but have always liked this singles.  I really like the message of this song…money can’t buy everything, and you’ll realize that.  It can’t replace real and good love.

myTunes 36 Most Played Songs (12.10.08)

I’ve been thinking about doing this for quite some time – revealing what my top played songs are on iTunes.  By default, the most played playlist is set at 25 or something, but since 36 is my lucky number and 36 just happens to fit perfectly in the height of laptop screen monitor (to where I didn’t have to scroll down to see the whole list), it worked out so so good.

Revealing this list, for me, feels like letting out my public tax return information to the public lol (well, it wouldn’t be big at all, but just imagine that I’m a celebrity and this is now common knowledge).  I’ve got nothing to be ashamed of, though some of my choices and rankings of some songs and artists might surprise/turn off/turn on some people, so it’s your choice on what you’ll decide to think of me from now on hahaha.  Whatever, though.  We all have our guilty pleasures/inner demons :p.

I’ll list it backwards, from #36 to #1.  It’s pretty accurate (well, these are based on plays from when I uploaded the tracks to my laptop’s iTunes in summer 2006, and from iPod plays, so it’s based from then).  You will see my varying tastes, from traditional/pop/alternative/rocking/country,bluegrass, rock, pop, and alternative rock.

These below are my stats, as of this moment, Tuesday night, December 9th. 2008 @ 11:23pm (out of about 39,000 plays):

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

Recommendation XXXVI: Vince Gill (triple-track)

Now we’ve hit a milestone (for me, at least)…: number 36. This one is real special for me because it’s my lucky number (won’t tell ya why), so I needed a special artist to go with it. I had trouble choosing the artist and the songs that I’d select from them. I know it needed to be a triple track one (hmm, that sounds like a better title than “threesome”, doesn’t it?. Okay, I’m changing it to that now, because the former was almost borderline weird-ish, though it wasn’t intended to be), so I finally made a choice I was satisfied with. This post will be a kinda long one, so prepare yourself for it: take out a comfortable chair and a nice glass of something to sip on…

My thirty-sixth recommendation is/are: Vince Gill’s “Out of My Mind” and “What You Don’t Say” from his 2006 These Days album, AND “Kindly Keep It Country” from his 1998 The Key album.  Yes, yes, it is Vince!  I really couldn’t imagine not discussing him and his music, and it took me quite a while to get to him, but the time has finally come.  Vince Gill is truly one of my absolute favorites and he’s one of the one most talented people in the music industry, ever.  He can sing, write, produce, and play at the highest quality there can be, and that makes him an all-around five-star musician.  I was a fan of his back in the ’90s when I was a little boy, and I didn’t realize how great he was until I bought the Souvenirs album (a greatest hits collection) some years ago and remembered all those songs I loved back then.  As of this moment, I own 71 of his songs (not including the songs I own that include his harmonies/background vocals) and I do plan to add more (he’s probably worked with everybody that I’ve reviewed on this site already lol).  Choosing the three tracks for this recommendation was not an easy task , but I made up my mind.

Recommendation XXXIII: Garth Brooks

Howdy there. Guess what? I’m back at the library, and able to blog once more. I had an exciting last week with all the hype that came with the Democratic National Convention here in Denver and it was crazy to see all those huge amounts of people out and about in downtown (I woulda really liked to have experienced seeing one of the protests though haha). I liked hearing the speeches last week and am looking forward to listening to all the speeches that will be given this week with the Republican National Convention (I was really thrilled to hear Brooks & Dunn‘s “Only In America” come on the speakers after Obama gave his speech – that was pretty cool). Now, we’re dealing with Gustav, and it’s good to hear that it’s not as bad as expected and New Orleans was better prepared this time. Lately, I’ve been watching the news a lot, so I’m pretty aware of things going on (which is good for a young guy like me… I should know this stuff). Right now, it is almost 1:30am and Tuesday morning, and I’m typing up my first draft to post later today (I am lovin’ having the day off)…

My thirty-third recommendation is: Garth Brooks’s “Don’t Cross the River” from his 2001 Scarecrow album.  This is actually a first for iCF Music (and surprisingly, the first time I’ve ever mentioned Garth in this blog, I think).  It’s a first because usually the music I recommend is available for legal download on iTunes or somewhere else (I wouldn’t recommend obtaining it illegally either), but unfortunately, Mr. Brooks and his decision doesn’t leave me any choice in the matter because songs of his’ cannot be purchased individually (you have to buy the entire album somewhere online or offline).  His argument has something to with songwriters and something else, or whatever (can’t remember exactly, but it did make sense)… though I think putting your music on iTunes and other online stores makes it easier for fans (and the environment, to an extent) because buying songs individually is better for the wallets and IMO, lessens the risk of illegal downloading.  But whatever, that’s a whole other issue lol, and I want to get to the music and the man.  Garth Brooks is one of my very top favorites (my fifth most favorite artist) and I think he’s incredible.  He’s so good that my most favorite song of his’ keeps changing and it’s tough for me to pick just one (I think I’ve got the top narrowed down to either “That Summer”, “Much Too Young (To Feel This Damn Old)”, “The Beaches of Cheyenne”, or “The Dance”.

Recommendation XXVII: Dan Colehour

Whew, today has been a long day: waking up, working, eating, walking, napping, driving, tennis-playing, eating, music listening, and web surfing. I’ve got a full schedule set for the rest of the whole year: three jobs and I’m already feeling exhausted (I’m currently training for one job, and will start my third job next week).  Right now, it’s a bit late, and while I do have to get to work tomorrow (or, should I say, later this morning since it’s like 1:30am here lol), I felt like writing a new entry right now. Today, I finally received a CD I’ve been wanting for quite a while…

My twenty-seventh recommendation is: Dan Colehour’s “Father’s Son” from his 2007 Straight to the Highway album.  You’re probably like “who’s that?!?“.  He’s probably the only artist I’ve reviewed so far that you haven’t heard of, yet.  Dan is an artist I only know of through one of the album’s special guest vocalists, Ms. Lee Ann Womack (I know, I mention her all the time, get over it.  And I also notice how I call these artists’ by their first names, but whatever lol).   Back when this album was released almost a year ago, I saw that Lee Ann contributed her background vocals to the project but I didn’t know for what songs, so I took a listen to the clips, and liked what I heard.  I could never really find out which song/s she was on, but it didn’t really matter then, because the music was really catchy and worthy of purchasing alone – this Dan Colehour‘s voice was amazingly good.  I figured eventually I’d buy the CD when I had more money, and that time finally came to be this month (though, I don’t really have much money at the moment.  I used a Best Buy gift card my aunt gave me from Christmas that I had forgotten about – it had some credit left on it).  I received the album today and finally got to hear the whole thing.  I’ve been trying to find out more about Dan, and the names, Bruce Springsteen and Chris Knight, kept popping up, when compared to Dan’s style.  I just looked up Chris Knight (I didn’t know who he was, I’m embarrassed to admit) and their voices/styles are similar, and that’s good.  “Father’s Son” is one of the songs on the album that hooked me immediately, as well as the song, “Leaving Meridian” (a heartbreak steel-guitar drenched slow shuffle about leaving a Texan town because of the memories it has).

Recommendation XXVI: Ashton Shepherd

Here I am, posting late again near midnight lol.  I’m really a night person and it doesn’t help that I don’t have to get to work until about 11am (just gives me more of a reason to stay up later!).  I’m very happy to see that a good amount of people visit the blog and come back regularly (probably has to do with the fact that I now blog more often than the past – gives you all something to look forward to with each visit).  I know how that is with blogs, checking back everyday to see new content and there’s not – annoying, because what else are you gonna read? haha.  I now try my best to stay dedicated to the blog.  It’s like my new child, and I must make it grow with fresh substances and improve over time, just like a fine wine (oddly worded, but you get the idea).  Anyway…

My twenty-sixth recommendation is: Ashton Shepherd’s “The Whiskey Won the Battle” from her 2008 Sounds So Good album.  I don’t know where to start with Ashton.  I’m pretty sure the first time I heard her music was during my winter break, with her debut single, “Takin’ Off This Pain”.  I thought that song sounded good, but I was not in the mood for tough, redneck-themed girl songs at the time, and her voice was too Gretchen Wilson-like (who I love too, but at the time, it seemed like an imitation).  Eventually my interest in her got the best in me, and I remember reading somewhere online that her album was very traditional, that she wrote or co-wrote most of her work, and that she had some songs posted on her myspace page to showcase it.  So, of course, I checked them out and first heard the title cut, “Sounds So Good” (this being her second and current single at the moment, and also let me make it clear, this was before the album came out in March 2008).  I liked it a lot: very catchy and full of steel and twang.  What really sold me on Ashton Shepherd, though, was her song, “I Ain’t Dead Yet”.  That one is stone-cold country (and you know that’s what I like the most ;) ), and I’ll all about quality country music that’s real, sung by a distinct female voice these days, and even more, if they write it themselves, so I was definitely hooked to Ashton then.  She’s almost 22 years old, married, and has a baby as well!

Recommendation XXIV: Trisha Yearwood (double-shot)

I know what you’re thinking (“oh, I’ve been thinking about you ;) “) since you saw the pictures of Trisha right here: “Wtf took him so long?” lol (well, that might not be the direct quote you were thinking but it’s probably close)… anyway, I understand, and as you can see, I finally decided to post about Mrs. Garth Brooks.  I’ve been wanting to do it for a long time but I had such a tough time choosing one particular song to recommend, so over my vacation break (I’ve been gone for the last few days, if you hadn’t noticed), I decided that since this is my site and I’m able to break any “rules” I’ve set up, I’m going to do it my way, and just set up a double-shot series for my recommendations for whoever I wanted to (that name didn’t take long to come up with ha).  I was all caught up in keeping to my own restrictions with the posts, but now I know it doesn’t matter lol.

So here is a new series of recommendations in which I’ll cover two (“double-shots”) or maybe three (“threesomes”) or possibly even more, if I feel like it.  I want to go back and do it for some artists I’ve already used, so watch for that.  I’m glad my first will be with Ms. Yearwood.

My twenty-fourth recommendation is: Trisha Yearwood’s “River of You” from her 2005 Jasper County album AND “Drown Me” from her 2007 Heaven, Heartache, and the Power of Love album.  Both of the albums listed are Trisha’s most recent album releases and offer a lot of great material.  Most of her fans prefer her ballad/slow-tempo stuff because vocal-wise, she hits them all outta the park every time and doesn’t overdo and over-sing them like some of her contemporaries, but for me, I prefer her more uptempo/mid-tempo tunes like “XXX’s and OOO’s (An American Girl)”, “Believe Me Baby (I Lied)”, and “Perfect Love”.  That’s why I have a strong attraction towards these two songs (they also happen to be about heartache lol).  Trisha Yearwood is definitely one of favorite singers of all time and consistently releases amazing work and has a voice like no other.  It will be tough to keep my entry short and concise because I’ll be tempted to write more and ramble on, so here it goes.

iCF Single Reviews #2 (Week of June 22, 2008)

Looking at my blog, I decided that what I really need to do if I want to ensure its survival and interest, I need to post a lot more (obviously lol), and I think it is necessary to expand into other things/ideas because just doing recommendations is not enough (even though it is this blog’s specialty, I am quite aware that my monthly blog posts isn’t adequate enough to keep my readers staying around, because as a fellow blog reader, I am the same way – I need constant and consistent postings!).  So, I’m going to try to do other things on this site, but the recommendations will still, be first and foremost, the most important feature of the site and I’ll try to do them more frequently!

One feature I started some months ago was reviewing current “country” radio singles.  I noticed that I usually only review songs I like or artists I like and don’t really review ones I don’t.  I’m all for optimism but reality is, they are a lot of songs that are pure crap and need to be justifiably criticized for it lol (Rascal Flatts come to mind?).  Anyway, I’m going to review the Top 17 songs of the week based on the Radio & Records‘ website chart.  My opinions will vary and I will definitely be as honest as possible.  I will not post links to the review singles because chances are you most likely have already heard the songs and plus, I’m lazy to look them all up lol.  FYI: you should know I don’t listen to mainstream country radio a lot (well, now I am a lil bit more because I have my stereo in my room and didn’t have an iPod for a while. Otherwise, I listen to XM Radio in the car or iTunes when I’m at school), so I may not be as sick of these overplayed songs as you are, so we shall see. Here we go… (this will be a longggg post!)

01.  “Better As a Memory” – Kenny Chesney

- Surprise, surprise.  Look who’s #1 again.  The song is OK, but not worthy of #1,  The lyrics are mediocre and the vocals just the same.  I admit it’s nice that it’s not overproduced, but all in all, I don’t see what people see in him these days.  2 out of 5 stars.

02.  “Last Name” – Carrie Underwood

- Usually I don’t care for Miss Underwood’s singles because radio KILLS them with overplay (even though they’re good, country or not), but with this song, I just can’t get enough of it.  It’s catchy and fun to sing along with (I sing “I don’t know even know her last name” instead lol but it doesn’t quite make as much sense but whatever).  Musically, it reminds me of Shania’s “Honey I’m Home” with the rocking guitar, drums, and the fiddle.  This was a great choice for a summer song.  I think she is really talented and I’m liking her more, though I still think she is way overplayed.  5 out of 5 stars. Buy here!

03.  “Home” – Blake Shelton

- Blake has lately been hit-and-miss with me over the last few years.  I’m just not into him as much.  I really don’t like this song even though his vocals are nice.  Sometimes doing remakes/covers is annoying because you keep comparing it with the original or another version.  I just don’t like it.  1 out of 5 stars.

04.  “I’m Still a Guy” – Brad Paisley

- Here’s a guy who’s music I must recommend sometime in the future.  I love that he helps make traditional/real country popular with his songs and that he does it while being so cool.  This single, one of his other gimmicky haha songs is really clever, once again displaying his immense talent as a songwriter, and his ode to traditional country.  His novelty songs do get annoying though sometimes.  I should love this song, but I don’t.  I like it but for some reason, the extremely unnecessary, but short, whole baby/cradle-music thing that’s goes on the song is like chalkboard-scratching to my ears.  I think it kinda messes up the song to be honest lol (just like when children sing in songs, for example: like in  “Ain’t Nothin’ Like” on his Mud on the Tires album.  Good song until the kids get involved).  I just don’t like that.  4 out of 5 stars. Buy here!

05.  “Every Day” – Rascal Flatts

- Crap.  Annoying crap like always.  Seriously, though.  The music, though it isn’t country at all, is not too bad and the vocals are OK (but get pretty whiny several times, as expected from Gary LeVox).  This boy band continues their Murder Row Massacre once again with this song, so of course, radio can’t get enough of it.  One somewhat positive thing about it: MUCH better than their next single, “Bob That Head” (yes, I said bob that head… a title which makes you think, and considering the double entendre and who’s singing it to you, makes you just want to barf).  1.5 out of 5 stars.