Top 10 Least Favorite CM Radio Singles of 2009

Welcome to 2010! I told you I would make a least favorite list for 2009′s country radio singles and here it is (prolonged, yes, but it’s here). My Christmas and New Years were interesting, but good (first time my family and I have ever celebrated Christmas at a Thai restaurant – long story haha – and I also spent New Years Eve for the first time as a 21-year old in downtown Denver, which was entertaining and freezing). I’ve been lazy about going to the gym this past month, so now that this new decade is amongst us, I must partake to that healthier lifestyle again either tonight or tomorrow (probably tomorrow lol).

Keep in mind, like I said in my previous entry, I didn’t listen to a lot of country radio this year, so I am not aware of all of the bad songs from this year and I’m only going by what I hear and remember.  And the hippo? To be explained soon. Now to my list of…

Top 10 Least Favorite Country Music Radio Singles of 2009:

• 10. “River of Love” – George Strait:
  • Now you know why the top picture is hanging out there: I think that river looks filthy and those hippos are ugly, which is kinda like the song (hippos are very deadly too! – the comparisons can go on and on).  King George is my favorite artist of all time, but not even he can get away with recording a bad song.  This is one shining example. I don’t hate the song and there are definitely worst songs out there, but even with its radio success, it was an unappealing choice for a single, from an artistic standpoint and considering he had better choices from his Troubadour album.  The only sorta-saving grace of this Chesney-like downgrade is the steel guitar solo and George’s voice, otherwise, it’s just filler I try to like and occasionally sing along with, yet it’s bad stuff. This river stinks!
• 09. “Ride” – Martina McBride:
  • Another one of my favorites has found themselves on my naughty-list: Martina.  Lately, she’s kinda hit-or-miss with me, so this single wasn’t exactly a shocker.  Basically a “This Ones for the Girls” Part II-ish thing, but that’s not good.  I’m a very optimistic person, but give me a break: I guess it’s the feeling that this song is geared towards teenage girls again that gets me, and even if it isn’t, it just sounds like it. The lyrics are just weak. Vocals just okay this time.
• 08. “Sissy’s Song” – Alan Jackson:
  • I’m definitely getting burned at the stake for this one haha! I know the back-story to this and I appreciate his idea for a tribute song to her and all, but no disrespect intended, I just could never get into this one. The production, first of all, I do applaud its simplicity, however when you combine that sorta production with the melody and the vocals, it just sounds like a gnawing nursery rhyme to me. That being said, I love Alan Jackson and even though I’m not a fan of this song, I can see why people would embrace it.  Just not my cup of tea.
• 07. “It’s America” – Rodney Atkins:
  • Opportunistic. Guaranteed to be a hit because if someone says they no likey, they’re labeled as a terrorist-sympathizer lol. I love America, although when he sings about it, you almost feel ashamed haha (I’m kidding, but you know what I mean. It could have been done much better, all around – He’s only had one good single). And he needs to take off that damn cap!…

ACM’s “Artist of the Decade”: George Strait Review (Aired 05.27.09)

Rumors of my death are not clear, nor are they true.  I’ve been wanting to post but kept putting it off and did not have the time to execute it.  This review was a good way to get something in, without it being a recommendation.  I’m hoping this does not take too much time to write lol (but hopefully, still be long), so here goes!

Yeah my review is a bit postponed… it’s about a week and a half later and people probably don’t care about it anymore.  I ended up watching the tribute show the next evening after it aired because my eyes were glued to the Nuggets vs. Lakers game that night (my team lost, of course lol)…but anyway, I’ve been looking forward to this tribute show ever since I heard about it months ago.  The taping for this show took place the night after the ACM Awards in April.  George Strait is THE man and my favorite artist of all time, and it’s so cool to see this (sometimes) fine lineup of artists honoring him by performing his songs from throughout his career.  Overall, I immensely enjoyed and wish CBS would air re-runs so more people could see it.

Sugarland opening the show with their version of “Adalida”.  I usually don’t care for Jennifer Nettles‘s voice, but it worked really well here and you could tell she and the guy were passionate about it.  Though the lyrics are more suited for a male, it didn’t matter.  Love that Cajun feel!  YouTube performance video link.

Toby Keith followed with “Unwound”.  It had noticeably a slightly updated production but still kept the same basic sound, and Toby did an excellent job.  I haven’t heard his voice sound this good and spirited in years!  You don’t hear this song too often (unless you play it on iTunes), so it was a treat to hear it on here.  YouTube performance video link.

One of my personal favorites, Brooks & Dunn were next.  They chose, well Ronnie Dunn chose, for them to sing “The Cowboy Rides Away”.  This is a fine example of how well traditional country, a theme of cowboys, and B&D go together.  It even got Kix Brooks to sing along, in more than just harmony, equally on the chorus.  I really loved that, and Ronnie sang the hell out of the song.  YouTube performance video link.

The following performance was unique.  First, because the song choice is one of my least favorite Strait songs ever, and a song I don’t ever really listen to: “It Ain’t Cool to Be Crazy About You”.  The production on the original song, IMO, is so so boring and poppy, but with the second surprise, that being a duet of the song with Miranda Lambert and Blake Shelton, it was given new life and a more than tolerable listen.  They did a sweet job and it was nice to watch (Blake was also really funny in his opening words in regards to his Pure Country ode).  YouTube performance video link.

In a change to a non-Strait part of the evening, in a nod to past Decade Artist honorees, they added them into the show, with Keith Urban performing a medley of Marty Robbins‘s hits ["Singing the Blues", "El Paso", "A White Sport Coat (And a Pink Carnation)"].  I admit that Urban’s voice sounded good, but I still don’t buy him as a country singer, so the covers, to me, felt awkward and took too long.  He did better than three other people though, so I’ll consider it “OK”.  YouTube performance video link.

44th Academy of “Country Music” Awards Reaction

No, I am not dead and yes, I am a horrific monster for being so neglectful to this blog.  I feel so bad for posting nothing new since middle February.  I’ve been pretty busy and overwhelmed with work, dealing with student loan crap, I took a birthday trip, and I procrastinated too too long.  I don’t have much time to make posts these days, but I figured tonight was feeling good and I wanted to voice my opinion on some new things.  First off, the ACMs that took place on Sunday night – what a travesty to watch! These things get worse every year, seriously.  Even as an optimistic person, I don’t see a lot of real hope for the future of (mainstream) country music…

(I know, symbolism can only go so far, but I edited the above pic this way because, once again, the awards were all about the money – thus the ugly green color lol. I also used the “shoplifter” font because every time I watch these things, I feel like something big has been stolen from me, and from country music. The exclamation point kinda symbolizes how the intended audience for this show has young people written all over it!)

To begin, I did watch most the show on Sunday night (I switched back n forth between the awards, and one of my new favorite TV shows, Celebrity Apprentice – which I gotta say, as much as I love Clint Black and his music, I really didn’t like him that much in this last episode, and I am shocked that he wasn’t fired, as he should have been…but I still enjoy his music hehe).  I didn’t watch all of the Awards (thank God), but will comment on what I remember…even almost a week later. Here are reaction blogs from CU, 9513, and CC.

So, anyway, Brooks & Dunn semi-opened the show with their hit, and one of my favorites, “Play Something Country” (which caught me by surprise because that was their single like two years ago?), which was soon interrupted by Taylor Swift, Sugarland, AND Rascal Flatts (and Carrie Underwood joined too) who all sang small segments of their hit songs, which cut back n forth between the artists, and ended with a sing-a-long to B&D’s song.  Now, cutting forward to Taylor later in the show: she gave an over-the-top/I’m trying-too-hard performance of one of her new songs with a piano and David Copperfield, which began with “magic” and ended with an exaggerated head-into-arms gesture, which was supposed to be acting I’m guessing?  Wow, tragic.  There’s about a million more sells from teenage girls who were touched by how emotional it was (and btw, “Album of the Year”? WTF?).  Sugarland sang some song, and like I’ve said many times before, I’m not a fan of their’s, so I skipped forward…just don’t like that accent.  I didn’t even listen to the Rascals. Yuck.  No more screeching, please.  Carrie performed “I Told You So” in a huge staged-sized red dress and did one of the best vocal performances of the night.  I may not care for the song, but she did really good.  She seems to perform live best with the slower tunes. (oh, and congrats to her Entertainer win, though I do wish Strait won it, for selfish reasons :p).

Reba McEntire is hosting again and that’s great.  I love her and there’s a sense of comfort with her.  She did well with hosting duties, like always, and she became one of my favorite performers of the evening with her new single, “Strange”.  That song reminds me somewhat of “I’m Gonna Take That Mountain” , just with some rock sounds.  Can’t wait to hear the studio version.

Kenny Chesney and “Out Last Night”.  Hmm…decent, but still boring.  Would have been cool to see him with Mac McAnally, instead.  One thing I gotta say: I’m glad he didn’t win anything! (I’m a meanie, I know, that’s for sure, but I mean it.)

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

42nd Annual “Country Music” Association Awards

Just read some interesting live blogs (CU & The9513) covering last night’s award show and while my opinions lined up with their’s at times, I also had disagreements.  I did actually watch the whole show last night, “live” as it came to my Mountain Time home (so, in other words, an hour behind), because I wanted it to be fresh this year for me, and I know going online would mess up any surprises.  I also actually watched the live red-carpet show on CMT.  Since I did not do a live blog, I thought I might share my opinions right here as a day-after analysis.  And I ain’t gonna hold back…

(you like my picture above?  I made it green because, you know, after all is done and said, that’s what the awards were all about.  The green… and I don’t mean the environmentally-friendly kind)

On the red-carpet pre-show.  It was decent, but I was kinda wanting to see other people than the ones they interviewed. Remember, I’m going by my memory here, so I might miss out on some details.  Two things I remember: Jack Ingram‘s wife, Amy’s, oddly short dress: wow… don’t know what she was thinking lol, but no worries (I’m a guy, yes, but I thought it was a strange choice).  And I guess Alan Jackson‘s daughters are all into the pop-country craze, which I found interesting.  So cool to see him and his family, though.

For us, the awards didn’t televise until an hour after the red-carpet show, which I always hate because I wish I could see it live live.  Brad Paisley and Keith Urban started into the show with their duet, “Start a Band”, which I thought was cool that it was the first time they performed it together live, but I wasn’t too impressed, and waited for what was next.  When Brad finally performed his own song, “Waitin’ On a Woman”, it was nice too, but I wasn’t crazy for it.  Keith’s new song is anything but country, though I found myself liking it, for some reason (like I’ve noticed and posted before, I seem to like his really pop singles lol).  Not country at all but not bad.

I thought Paisley and Carrie Underwood, overall, did a fine job as hosts.  Of course, could have been done better, but it is a tough job to do, so I give them props for that.  Carrie did an amazing execution of “Just a Dream”.  I think it was a good idea to have the war widow speak before that because it gave it more meaning.  Definitely one of the best and moving performances of the night.  Also, congrats on her “Female” win.

I was stoked that George Strait won for “Single of the Year” for his excellent song, “I Saw God Today”.  I was pretty sure that “Stay” was going to win.  While we’re on the topic of King George, I gotta say his win for “Album of the Year” was even greater because I really like Troubadour and it was even more special that Lee Ann Womack got to present it to him (with Josh Turner) because they have such admiration for one another and George is one of her biggest heroes and she had won that award for the amazing There’s More Where That Came From years before.  I bet she’ll be accepting the award next year for Call Me Crazy.  Even better that producer, Tony Brown, went up there too! (he produced Strait’s & Womack’s latest projects).  Moving further in the program, honestly, George’s performance of “River of Love” was definitely not something I was looking forward to because I don’t really care for the song (too Kenny Chesney-like) but I think his vocals and the steel guitar save the song from being a total failure (in anybody else’s hands, it would be really bad).

Kellie Pickler.  I really don’t know what people see in her, to be honest.  Her personality is really cute, but dumb blondes don’t really do anything for me, unless I know the person and can’t tease them up front.  I thought her performance was the worse of the night.  I think she tries too hard and the music was way louder than her vocals.  Just a bad performance through and through.  Horrible.

iCF Single Reviews #5 (Week of October 12, 2008)

Alright, I’m back… this time, I’m hoping to review a lot more radio singles.  Today is a nice, sunny (but chilly) Monday in Colorado.  I am happy to say that we have got XM Radio back in the car and it’s going great again so far.  Right now in my life, I’m just preparing for my trip to California and trying to pay off things (like my loans… ahh, it sucks.  It should be after I graduate, not before…but I may be able to kill some interest charges this way.)  Anyway, let’s get to it.  I’m going to start off with songs I didn’t review last time and skip songs I’ve already reviewed, so the numbers won’t be in order for some.

11. “Already Gone”: – Sugarland:

- (I chose the picture above because I think she looks beautiful there, but that will not change my opinion on the music lol) I just took another listen to it, and surprise, I actually think it’s okay.  Jennifer Nettles’s voice is tolerable here and the music isn’t bad: kinda folky and definitely more country-sounding than their other stuff (especially their last single).  I was delightfully shocked to hear “the guy” sing at the end…I think Kristian Bush is his name.  I’ll continue to change the channel, though, for my own sanity.  2.5 out of 5 stars.

16. “Start a Band” – Brad Paisley & Keith Urban:

- Hmm…this is kinda cool.  In this present time in the music industry, Paisley and Urban are definitely two of the most talented guitar players, and the production is an appealing blend of both of their guitar-playing.  Not a bad song, but I gotta admit, nothing really special special.  I’m sure they’ll perform this live on the CMAs, so that will be something to look forward to, kinda.  3.0 out of 5 stars.

18. “Here” – Rascal Flatts:

- I really hesitated to press play for this one, because I know what to expect: high-pitched screaming over loud drums and guitars with some fiddle, steel, or banjo thrown in.  Let me get something clear: I don’t hate Rascal Flatts, I actually like a few of their songs (maybe like three), but I don’t think they really care about country music and what they’re doing to it.  They may bring new fans to the genre, but IMO it’s usually the “wrong” kinda fans.  Back to the song: it’s no horrible.  Tolerable, and the mandolin’s got a nice touch (well, it’s a mandolin, how could it not?).  Vocals decent in parts, overdone everywhere else.  I’ll be nice.  2.0 out of 5 stars.

19. “Chicken Fried” – Zac Brown Band:

- Immediately after hearing this, I knew I’d like it (the title did turn me off, at first, but that proves you can’t judge a song by its title…)  A refreshing country sound with a refreshing voice.  It reminds me of another song from the past but I can’t quite think of it (but I’ll try to add to the post, if I remember).  Nice to see it’s doing so well on iTunes.  4.0 out of 5 stars. Buy here!

22. “Lookin’ for a Good Time” – Lady Antebellum:

- Ah, I love this song.  A new one-night stand song with exciting vocals.  When I first heard this song, I didn’t know exactly who it was…I thought it was duet but could not fit the voices.  For sure, I’m going to check this group out.  I liked their first single too (“Love Don’t Live Here”).  5.0 out of 5 stars. Buy here!

27. “Anything Goes” – Randy Houser:

- Instantly I just had to like this…a slight traditional production but with gospel/blues-touches throughout, and with a powerful voice, quite like Ronnie Dunn and Blake Shelton.  I’ve heard of this Houser guy before, but now I’m more intrigued.  Hopefully this charts a lot higher.  4.5 out of 5 stars. Buy here!

Recommendation XXXIV: Sheryl Crow

All I can say to this site’s audience: thanks so much for waiting.  It means a lot to me that people still check out this site regularly even when I don’t post too often.  With my time off from school, I’ve got my good times and bad: it’s nice not having to stress over work and papers (my film class woulda been so fun though), but it is killing me not being able to hang out with my many buddies and others back there.  I feel like I’m missing out and will miss out on lots of stuff, and I’m thinking I might not be able to return in 2009.  But I came up with a plan to visit my friends early than planned before 2008 is over, so I’m excited about that (will be kinda expensive though…lol).  Anyway, I can guess what most of you are thinking when you saw the picture on the side: what’s she doing on the site?  She’s not country! I know she may not be considered “country”, but she’s done several works within the genre and she has integrated it somewhat in her style throughout her whole career.  She’s worked with Willie Nelson, Dwight Yoakam, Johnny Cash, the Dixie Chicks, Jack Ingram, Brooks & Dunn, Vince Gill, and others, and even her duet with Kid Rock (“Picture”) sounded more country than most songs on country radio, so I think she’s earned at least a recommendation (She even had another single on the country charts with the poppier single, “The First Cut is the Deepest”, if you can remember that.)

My thirty-fourth recommendation is: Sheryl Crow’s “Anything But Down” from her 1998 The Globe Sessions album.  Sheryl is one of my favorite rock/pop artists and I like a fair amount of her work.  I’d have to say that “All I Wanna Do” (the much much better of the songs with that name.  Yeah, I said it, and I do mean it, Sugarland.) is my favorite song of her’s because it’s so catchy and reminds me of the ’90s.  It’s got a slight country feel to it with the steel guitar that’s used prominently in the track, and her voice is always easy to notice.  Even when she turned pop with “Soak Up the Sun”, she was still as good as ever (though, her rockier, edgier stuff is preferred).  I remember when I was young, I confused her with Martina McBride when I saw her lol, especially with her music video for the James Bond movie, “Tomorrow Never Dies” (now I don’t really see any similarities, except that they had real short hair in the past).  My only complaint about Ms. Sheryl Crow is that she seems to kinda mumble when she performs live and while it it part of her style and isn’t done on purpose, it gets somewhat distracting.  But whatever, she’s still a great music icon.

iCF Single Reviews #3 (Week of July 6, 2008)

I don’t want to overwhelm you with too many posts, because this massive amount of posting within days is not the norm around here lol, but I just felt like writing tonight. Just felt inspired by other blogs that I read today. Blogging can be very…therapeutic and admit it: it’s pretty fun (just like in real life, I like to express my opinion when I feel like it). O.K. Here’s Numero Tres… and just like last time, the numbers I chose are kinda odd, but I’m going to pick up where I left off last time: #17 and go to #36 (since that’s my lucky number ;) ). I’m getting my chart rankings from Radio & Records‘ site once again, though it is last weeks’ chart I’m using since they have yet to post the latest, but it doesn’t matter. On with the show…

17. “Learning How to Bend” – Gary Allan:

- When Gary started coming out with more rock/pop-sounding material, I was a bit weary. I did love his remake of “Best I Ever Had”, but I missed his more countrier stuff. With his new album, Living Hard, and its first single, “Watching Airplanes”, I initially didn’t like that song. I grew to love it because of the video and its footage of my Colorado’s Red Rocks and now I’m loving it. With this new one, it sounds good, and keeps with the heavy rock sound with strings and such, but I’m not feeling it totally. The chorus, especially, feels too much like the previous single. I don’t consider it “country”, but otherwise, overall, it’s not a bad tune. I wish Gary all the best (btw, does it bother anybody else when people misspell his last name into “AllEn”? I guess I’m nitpicky lol). 3.5 out of 5 stars. Buy here!

18. “Holler Back” – The Lost Trailers:

- I read a review somewhere a while back that mentioned that the idea of the song came from Gwen Stefani’s pop hit, “Hollaback Girl”, and that was interesting. I think this uptempo is somewhat catchy but for the most part, just sounds “B-A-N-A-N-A-S” and kinda annoying like the pop song (funny side note: coincidentally No Doubt’s “Don’t Speak” is on the radio right now as I’m writing this haha). Hopefully, The Lost Trailers have more offer than this, and can distinguish themselves from the other groups with similar names (too many of them!). 2.5 out of 5 stars.

19. “Every Day” – Rascal Flatts:

- Yeah… already reviewed that one last time. Still… 1.5 out of 5 stars.

20. “Do You Believe Me Now?” – Jimmy Wayne:

- I’ve come across this single several times on the radio and seriously thought I was listening to a rock station or something. The song could totally be played there with its heavy use of loud electric guitar and drums, even with it’s slight mandolin usage. Sounds like something Rob Thomas would release, which is not particularly bad because he’s a good singer, but does it belong on country radio? I really like Jimmy’s voice a lot and will forgive him for it, and the song alone is pretty good, so I’ll let it slide. 3.5 out of 5 stars. Buy here!

21. “That Song In My Head” – Julianne Hough:

- The beginning of this song reminds me Jo Dee Messina’s current single lol (I like to make a lot of connections, you see. And Jo Dee’s tune will be reviewed later on in the post). I think the song is alright. The voice is Kellie Pickler-ish (which is not good in my books) but I won’t hold that against her because Hough’s voice is better (she’s also very easy on the eyes). I do understand how it is to have a song stuck in your head all day: even bad ones do, and that’s when it drives you crazy. I like this dancer/singer’s effort but this is not a song I’d want stuck in my head: it’s too ehhh for me. 2 out of 5 stars.

22. “Troubadour – George Strait:

As anyone should know by now, I love George’s music (he’s my #1), but his current single fails to impress me. Even when I first heard it, I thought it was O.K. and even Vince Gill’s harmony wasn’t enough to change that. I dunno… I like what the lyrics say but something about it doesn’t grab me. I wish they didn’t release it as a single, but I may change my mind if I hear it enough and I like it more. I really hope the next single is his duet with Patty Loveless, “House of Cash”! (Oh btw, I also wish George would write more… he said he isn’t motivated, but his older songwriting work was good, especially the greatness of “I Don’t Want to Talk It Over, Anymore” from his box set.) 3 out of 5 stars.

iCF Single Reviews #2 (Week of June 22, 2008)

Looking at my blog, I decided that what I really need to do if I want to ensure its survival and interest, I need to post a lot more (obviously lol), and I think it is necessary to expand into other things/ideas because just doing recommendations is not enough (even though it is this blog’s specialty, I am quite aware that my monthly blog posts isn’t adequate enough to keep my readers staying around, because as a fellow blog reader, I am the same way – I need constant and consistent postings!).  So, I’m going to try to do other things on this site, but the recommendations will still, be first and foremost, the most important feature of the site and I’ll try to do them more frequently!

One feature I started some months ago was reviewing current “country” radio singles.  I noticed that I usually only review songs I like or artists I like and don’t really review ones I don’t.  I’m all for optimism but reality is, they are a lot of songs that are pure crap and need to be justifiably criticized for it lol (Rascal Flatts come to mind?).  Anyway, I’m going to review the Top 17 songs of the week based on the Radio & Records‘ website chart.  My opinions will vary and I will definitely be as honest as possible.  I will not post links to the review singles because chances are you most likely have already heard the songs and plus, I’m lazy to look them all up lol.  FYI: you should know I don’t listen to mainstream country radio a lot (well, now I am a lil bit more because I have my stereo in my room and didn’t have an iPod for a while. Otherwise, I listen to XM Radio in the car or iTunes when I’m at school), so I may not be as sick of these overplayed songs as you are, so we shall see. Here we go… (this will be a longggg post!)

01.  “Better As a Memory” – Kenny Chesney

- Surprise, surprise.  Look who’s #1 again.  The song is OK, but not worthy of #1,  The lyrics are mediocre and the vocals just the same.  I admit it’s nice that it’s not overproduced, but all in all, I don’t see what people see in him these days.  2 out of 5 stars.

02.  “Last Name” – Carrie Underwood

- Usually I don’t care for Miss Underwood’s singles because radio KILLS them with overplay (even though they’re good, country or not), but with this song, I just can’t get enough of it.  It’s catchy and fun to sing along with (I sing “I don’t know even know her last name” instead lol but it doesn’t quite make as much sense but whatever).  Musically, it reminds me of Shania’s “Honey I’m Home” with the rocking guitar, drums, and the fiddle.  This was a great choice for a summer song.  I think she is really talented and I’m liking her more, though I still think she is way overplayed.  5 out of 5 stars. Buy here!

03.  “Home” – Blake Shelton

- Blake has lately been hit-and-miss with me over the last few years.  I’m just not into him as much.  I really don’t like this song even though his vocals are nice.  Sometimes doing remakes/covers is annoying because you keep comparing it with the original or another version.  I just don’t like it.  1 out of 5 stars.

04.  “I’m Still a Guy” – Brad Paisley

- Here’s a guy who’s music I must recommend sometime in the future.  I love that he helps make traditional/real country popular with his songs and that he does it while being so cool.  This single, one of his other gimmicky haha songs is really clever, once again displaying his immense talent as a songwriter, and his ode to traditional country.  His novelty songs do get annoying though sometimes.  I should love this song, but I don’t.  I like it but for some reason, the extremely unnecessary, but short, whole baby/cradle-music thing that’s goes on the song is like chalkboard-scratching to my ears.  I think it kinda messes up the song to be honest lol (just like when children sing in songs, for example: like in  “Ain’t Nothin’ Like” on his Mud on the Tires album.  Good song until the kids get involved).  I just don’t like that.  4 out of 5 stars. Buy here!

05.  “Every Day” – Rascal Flatts

- Crap.  Annoying crap like always.  Seriously, though.  The music, though it isn’t country at all, is not too bad and the vocals are OK (but get pretty whiny several times, as expected from Gary LeVox).  This boy band continues their Murder Row Massacre once again with this song, so of course, radio can’t get enough of it.  One somewhat positive thing about it: MUCH better than their next single, “Bob That Head” (yes, I said bob that head… a title which makes you think, and considering the double entendre and who’s singing it to you, makes you just want to barf).  1.5 out of 5 stars.