Recommendation XXXXIV: Wynonna Judd (double-shot)

Awesome awesome.  Life’s not too shabby for me.  My work hours have increased (much to one of ex-co-worker’s dismay – stealing is bad – remember that, but I do still feel sorry for him) and I am also planning my trip to California, which I will embark on in less than half a week, and in addition, I receive my tax refund in a few days.  With regards to my possible soon return to college life, for anybody who cares, I just need to find a co-signer to help me with a student loan from the bank to pay off my balance, and then I am set to go back in the fall (I, of course, will have to deal with paying off the loan and interest after graduation, so I am not excited about that).  Tonight, I’m supposed to clean up my messy room and organize my papers and letters to look decent and civilized (so I won’t have to jump obstacles and get through the mazes any longer).  Sad to admit some old habits don’t die hard.

My forty-fourth recommendation is/are: Wynonna Judd’s “I Can Only Imagine” from her 2005 Her Story: Scenes from a Lifetime album AND “Are the Good Times Really Over?” from her 2009 Sing: Chapter 1 album.  Yes, TWO covers/remakes from the powerful and feisty red-head Wynonna Judd.  How exciting.  My love for Wynonna began, I think, with one of her first solo singles, “No One Else On Earth”.  I think I grew up more with solo Wynonna more than with The Judds… though I do know, bluegrass-tinged, “Why Not Me?”, is my favorite Judds song, and “No One…” is my favorite Wy song.  Over the years, it’s been cool to see Wynonna as a genre-chameleon who can sing just about anything, and these two songs I’m going to highlight show that.  It wasn’t that hard for me to choose which ones, because these, in my mind, were instant classics to me once I heard them. Wy made them her own.  (Btw, anybody see her on NBC’s Kath & Kim earlier this month?  That was funny how they basically made the episode about her, and how the mother and daughter were crazy fans of her’s. Molly Shannon is hilarious.)

Recommendation XXXXIII: Danielle Peck

Today was an interesting day: I slept in ’til 11am (didn’t work today), ate lunch, headed to the park to take a run (I don’t get to run too often because of the cold weather and my freakin’ asthma lol), and when I got back, had to deal with a stalled car – the engine’s battery had gone out. That was my fault because stupid me left the car’s fan running on battery power while I was sitting in there for too long and it cost me. I was stuck there for about an hour, going around asking people for help like a loser and ask if they had jumper cables (I’m sure some did, but they were either scared or just mean haha). Anyway, a trio of strangers assisted me, with no problem at all, and kindness in their hearts. I think God wanted to prove two things to me today: there are still good people in this world, and don’t be an idiot and leave the battery running when it’s not necessary (and to buy jumper cables!).

My forty-third recommendation is: Danielle Peck’s “A Woman Does Too” from her 2006 Danielle Peck album.  I would still consider Danielle to be one of my favorite newer female singers in Nashville.  Her stunningly smoking beauty aside, she’s really talented and rather equipped with a distinctive and lovely voice with fine songwriting skills.  I first heard Danielle Peck‘s debut single, “I Don’t”, and took to it quickly (how could you not like a song that says “The difference is: Jesus loves you… I don’t.” ?).  And sure, after I researched her myspace and saw her gorgeous pictures, I did like her more, however I was even more so impressed with her music and with one website that listed her two influences: Patty Loveless and Trisha Yearwood.  I ended up pre-ordering her debut CD through MusiCountry, which offered an autographed album cover that I couldn’t resist.  After that, with singles, “Findin’ a Good Man”, and the similar, “Bad for You”, I knew I really liked her (I’m not really into “Isn’t That Everything?”, but it is catchy, I will admit).  I also like how the first two singles I mentioned in the last sentence are pretty country, but definitely contemporary/mainstream (the choruses are traditional-country/honky-tonk-like sounding, but the beats and the rest of it are pretty pop and rock-sided, somewhat like Shania Twain‘s “Any Man of Mine” is).

Recommendation XXXIX: Robert Plant & Alison Krauss

Back to the art of music and outta mainsteam-land, to a place where quality is, and what it’s always been essentially about: the alternative country world.  You know, the CMAs, for the most part, left a bitter taste in my mouth (Taylor Swift and Kellie Pickler‘s bubblegum pop didn’t sweeten the night at all.  Just provided some more artificial “sugar” to the mess.)  Like I said in my CMA entry, I did enjoy parts of the show, but it really got me even more upset with how terrible mainstream country music really has become.  I’m not saying it should be 100% traditional country music, because that would be boring (though, there definitely needs more of that represented to remind artists and fans of what the music is).  I just wish it wasn’t all about the money and crossing-over and appealing to teenagers who don’t know what country is.  The format might be a business but quality and diversity of styles should be the #1 things on their mind, and radio stations aren’t innocent either.  They just contribute immensely to the destruction of the music. (Btw, speaking of destruction, I saw the midnight screening of the new James Bond film, Quantum of Solace, and man, I loved it!  Go see while it’s still in theaters! You should see 2006′s Casino Royale first, because both movies go hand-in-hand and Quantum is its sequel. Here’s the trailer.)

My thirty-ninth recommendation is: Robert Plant & Alison Krauss’s “Through the Morning, Through the Night” from their 2007 Raising Sand album.  I have been wanting to highlight this album and this particular song for months and months since I’ve had this album, but I never could find the right time.  I felt that, because I had recommended Alison before, I should wait until much later to use her again, because I’m all obsessed with rules and stuff, but I’m beginning not to care anymore lol.  It was time, and that time was today.  You need to see and hear country music for what it is and can be, and those award shows don’t really appreciate nor represent what the good part of the music is (the CMAs did give the win to Plant/Krauss for “Collaboration”, so I’ll give them that).  The first single, “Gone Gone Gone (Done Moved On)”, with its Beatles-like sound, I wouldn’t consider to be country, but it’s very good.  It wasn’t until last year, during Christmas-time that I was able to finally purchase and listen to all of Raising Sand, and man I was blown away.  Led Zeppelin rock legend Robert Plant and bluegrass extraordinaire Alison Krauss are the perfect partners for a project like this.  Anybody who has heard all of the material and has trouble categorizing this as a “country album”, while at the same time, labels artists like Rascal Flatts “country”, just because they call themselves that, is seriously crazy (I won’t name names, but I’ve seen it online, and it makes no sense).  The album as a whole may not be particularly country, but its influence and sound is very evident, throughout.

Recommendation XXXVIII: Shania Twain

I’m thinking that I will go back to writing posts much more often (maybe more than once a week lol), because I gotta satisfy my faithful blog audience and myself, so let’s get it done.  Honestly, right now, I’ve got nothing exciting to report about my life at the moment.  Just the same ole same ole working and sleeping, so this paragraph will be kinda short. Hmm… well, I did make a new look for the front page of my Lee Ann Womack fansite: LAW: Lee Ann Womack Online last night, so you might wanna check that out ;-) .  As for the subject of today’s blog, I bet you’re in for a surprise: you’re either pleased or disgusted (or in between, depending on your mood).  We’ll get to that…now

My thirty-eighth recommendation is: Shania’s Twain’s “I Ain’t Goin’ Down” from her 2002 Up! album.  Yes, yes, we have gotten to her (for those who didn’t know me too well before, you’re probably surprised to see her here lol).  I’m a pretty big Shania fan, and have been pretty much since “Any Man of Mine” in the ’90s.  She was certainly one of biggest definers of that decade and her music was a big part of my childhood.  Even though she’s not really “country” country, it doesn’t really matter to me.  Shania Twain‘s music brought about excitement to the genre that didn’t really exist before (though, I’ve come to the conclusion, that while I love her music, I’m not particularly fond of her imitators’ music who would arise in later mainstream country music).  She did commit murder on music row, but I’m willing to forgive her for it :p (in fact, I’ll hand her the hatchet myself, say “swing away!”, look the other way, because I love her that much and will allow her to get away with it lol).  And It’s too bad that her marriage with Mutt Lange didn’t work out because I thought they made a good team together.  I hear rumors that Shania will be the “surprise performer” at this Wednesday’s CMA Awards, so I figured I’d highlight Ms. Twain for this entry (I’m so excited for new music!)  It was tough to select a track for her because most of her songs have been hit radio singles haha, so choosing one from the Up! album was the path to go.

Recommendation XXXV: Anita Cochran w/ the Voice of Conway Twitty

Lately, I’ve been watching some documentaries through my NetFlix because I ran out of movies I was immediately interesting in seeing, and I’ve learned that they’re really compelling to watch. The last one I saw (well, we saw… since my family watched it with me because I wanted them to) was Sicko, the latest documentary by Michael Moore. I know, I know. I think he’s kinda annoying too, and I know there’s got to be some exaggeration in the claims, but I got the general truth from it, and I thought the film was put together real well. It was about how insurance companies take extreme advantage of the American people and man, it is horrible. Didn’t know they were so evil. Recommended for anybody to watch. I’ll definitely have to research more on that. Anyway, onto my next selection… (and ooh, #36 is coming up pretty soon, my lucky number…)

My thirty-fifth recommendation is: Anita Cochran’s (with The Voice of Conway Twitty) “(I Wanna Hear) A Cheatin’ Song” from her 2004 (I Wanna Hear) A Cheatin’ Song – Single album.  I have no idea the first time I heard Anita’s music…but I know she hasn’t had too much success on the country charts.  I know she had that hit #1 duet with Steve Wariner (“What If I Said”), which I gotta admit, I never really cared for, even though I like both of them.  I think it’s too adult-contemporary-sounding and way too lovey-dovey for me lol.  Otherwise, I don’t think there’s any other hits from Ms. Cochran, which is a shame because she’s really talented.  Her vocals are somewhat like Wynonna Judd‘s (I don’t like to refer to Wynonna by just her first name alone lol because her last name is part of who she is), but otherwise, IMO, Anita Cochran‘s got a voice distinct from other females.  I thought I should mention this quickly (but it certainly isn’t needed lol): Anita’s first and last name spoken together have got a James Bond/Austin Powers girl-like thing sorta goin’ on with it, if you say them together (…I know, too R-rated, but I thought it would be kinda funny to bring it up real quick.  Forgive me.).

Recommendation XXXIV: Sheryl Crow

All I can say to this site’s audience: thanks so much for waiting.  It means a lot to me that people still check out this site regularly even when I don’t post too often.  With my time off from school, I’ve got my good times and bad: it’s nice not having to stress over work and papers (my film class woulda been so fun though), but it is killing me not being able to hang out with my many buddies and others back there.  I feel like I’m missing out and will miss out on lots of stuff, and I’m thinking I might not be able to return in 2009.  But I came up with a plan to visit my friends early than planned before 2008 is over, so I’m excited about that (will be kinda expensive though…lol).  Anyway, I can guess what most of you are thinking when you saw the picture on the side: what’s she doing on the site?  She’s not country! I know she may not be considered “country”, but she’s done several works within the genre and she has integrated it somewhat in her style throughout her whole career.  She’s worked with Willie Nelson, Dwight Yoakam, Johnny Cash, the Dixie Chicks, Jack Ingram, Brooks & Dunn, Vince Gill, and others, and even her duet with Kid Rock (“Picture”) sounded more country than most songs on country radio, so I think she’s earned at least a recommendation (She even had another single on the country charts with the poppier single, “The First Cut is the Deepest”, if you can remember that.)

My thirty-fourth recommendation is: Sheryl Crow’s “Anything But Down” from her 1998 The Globe Sessions album.  Sheryl is one of my favorite rock/pop artists and I like a fair amount of her work.  I’d have to say that “All I Wanna Do” (the much much better of the songs with that name.  Yeah, I said it, and I do mean it, Sugarland.) is my favorite song of her’s because it’s so catchy and reminds me of the ’90s.  It’s got a slight country feel to it with the steel guitar that’s used prominently in the track, and her voice is always easy to notice.  Even when she turned pop with “Soak Up the Sun”, she was still as good as ever (though, her rockier, edgier stuff is preferred).  I remember when I was young, I confused her with Martina McBride when I saw her lol, especially with her music video for the James Bond movie, “Tomorrow Never Dies” (now I don’t really see any similarities, except that they had real short hair in the past).  My only complaint about Ms. Sheryl Crow is that she seems to kinda mumble when she performs live and while it it part of her style and isn’t done on purpose, it gets somewhat distracting.  But whatever, she’s still a great music icon.

Recommendation XXXII: Crystal Shawanda

Whoo, today was pretty nice (“today” referring to Tuesday, which is when I wrote this, but I am barely posting it now): I had the day off, so I slept about ten hours lol and got ready for the day. I missed out breakfast, and it was now lunchtime, and I really needed to eat, so I finally decided I’d take my mom to lunch at Applebee’s (haha, yeah, had to get in on that 3 course meal for $10 thing they have/had going). Lunch was good, but I ended up paying $35, including the tip, so I paid for than I thought I would (that’s where they get ya…and drinks and tax really do add up!). Anyway, I’ll get to some other things we did later in the post since they relate.

My thirty-second recommendation is: Crystal Shawanda’s “Try” from her 2008 Dawn of a New Day album.  This debut album came out this week and has strong material on it, so it was a must to do.  I’ve been anticipating this release for quite some time and it doesn’t disappoint (I’d like a more traditional country sound to it, but it’s fine without it).  I first heard Crystal’s debut radio single, “You Can Let Go”, I think, in January when listening to XM Radio online.  I was impressed and even more so when I found out she was Native American, just like me.  It’s not that often you see a Native have a breakthrough in country music, especially a female, so I was immediately drawn to her and had to find out more.  Her voice was very different that any female singer I’ve heard (she’s like the female Gary Allan) and while the theme and lyrics in the song have been done before, she put her own stamp on it and makes it even better.  With her vocals, she knows when to crack and break at the right times, and it’s full of a lot of emotion.  I knew lots of people could relate, so I hoped it would be a big hit in the U.S., but it wasn’t, unfortunately.  It did bring Crystal Shawanda to the spotlight with many people, though, and she seems to be big in Canada, her home country (Canadian Female Vocalist of the Year nomination…whoo).  It’s cool to read about her and see her performance videos on youtube.  I think Kevin on Country Universe did an excellent review on “You Can Let Go” some months back, and there’s lots of feedback there, so check that out.

Recommendation XXIX: Loretta Lynn

Hello all. Nice to see you. It’s been a long time… (well, it sure feels like it!).  I feel bad that I haven’t been able to update this site regularly like I was in early July (trust me- if I had internet at home, I’d stick to that routine, but I don’t).   Like I’ve mentioned before, I’ve been working a lot at two jobs and I’m usually pretty busy.  Thank God one of my best friends works with me at one of the jobs, so it’s fun to just talk and hang when it’s possible.  For the most part, with my free time, I usually relax and watch TV, play video games (classic N64 lol), and rent and watch DVDs from NetFlix.  Right now, I’m stoked for the U.S. release of Crystal Shawanda‘s new album (Dawn of a New Day) out Tuesday, August 19th. Anyway, I’m typing up this entry at home, and will copy and paste it when I get to the library. So here goes…

My twenty-ninth recommendation is: Loretta Lynn’s “Miss Being Mrs.” from her 2004 Van Lear Rose album.  I dunno how it took me so long to spotlight this great legend, but I think she’s the perfect person to come back with after my 2-3 week absence.   It’s hard to know where to begin with Miss Loretta Lynn. I don’t think I really knew her too well growing up in the ’90s.  I remember reading and hearing her name when my favorite artists would list their influences or their own personal favorites, and seeing her on TV for news and countdowns and such, so I grew intrigued.  Her music is so country and has a lot of spirit and attitude, and she’s so funny and kind to everybody.  What a woman.  I remember my mom loves her video for her duet, “Portland, Oregon”, with Jack White (of The White Stripes fame) because she thinks it’s cute how their relationship is like that of a grandmother and grandson.   I’ve always enjoyed Loretta’s wit, and how it shows in her songwriting and songs.  Her heartache songs are like no other, so I was definitely pulled towards that (also, it’s pretty damn cool that she’s Patty Loveless‘s distant cousin… or the other way around ;) ).

Recommendation XXIV: Trisha Yearwood (double-shot)

I know what you’re thinking (“oh, I’ve been thinking about you ;) “) since you saw the pictures of Trisha right here: “Wtf took him so long?” lol (well, that might not be the direct quote you were thinking but it’s probably close)… anyway, I understand, and as you can see, I finally decided to post about Mrs. Garth Brooks.  I’ve been wanting to do it for a long time but I had such a tough time choosing one particular song to recommend, so over my vacation break (I’ve been gone for the last few days, if you hadn’t noticed), I decided that since this is my site and I’m able to break any “rules” I’ve set up, I’m going to do it my way, and just set up a double-shot series for my recommendations for whoever I wanted to (that name didn’t take long to come up with ha).  I was all caught up in keeping to my own restrictions with the posts, but now I know it doesn’t matter lol.

So here is a new series of recommendations in which I’ll cover two (“double-shots”) or maybe three (“threesomes”) or possibly even more, if I feel like it.  I want to go back and do it for some artists I’ve already used, so watch for that.  I’m glad my first will be with Ms. Yearwood.

My twenty-fourth recommendation is: Trisha Yearwood’s “River of You” from her 2005 Jasper County album AND “Drown Me” from her 2007 Heaven, Heartache, and the Power of Love album.  Both of the albums listed are Trisha’s most recent album releases and offer a lot of great material.  Most of her fans prefer her ballad/slow-tempo stuff because vocal-wise, she hits them all outta the park every time and doesn’t overdo and over-sing them like some of her contemporaries, but for me, I prefer her more uptempo/mid-tempo tunes like “XXX’s and OOO’s (An American Girl)”, “Believe Me Baby (I Lied)”, and “Perfect Love”.  That’s why I have a strong attraction towards these two songs (they also happen to be about heartache lol).  Trisha Yearwood is definitely one of favorite singers of all time and consistently releases amazing work and has a voice like no other.  It will be tough to keep my entry short and concise because I’ll be tempted to write more and ramble on, so here it goes.

Recommendation XXII: Gillian Welch

Hey.  Long time no see.  I am back again with a new post!  Right now, I’m on my summer break at home and it’s going really well.  I’m already working and just trying to save money (and get a new iPod!).  It has been a while since the last time, but I had to deal with finals and projects and everything, so it has been busy busy busy for me.  I had some time now to do a new post so here it is.

My twenty-second recommendation is: Gillian Welch’s “My First Lover” from her 2001 Time – The Revelator album.  You may or may not recognize her name, but Gillian Welch is big in the folk/americana format, and she had a duet with Alison Krauss on the O Brother, Where Art Thou? soundtrack back in 2000 with the traditional, “I’ll Fly Away” (which is excellent), and that song is what introduced me to her.  Since then, I’ve been interested in her and her music, but still didn’t really check it out.  Sometimes I tend to do that for some reason with different artists, and I later find that I really like their music.  I really like her folk style and the simplicity that comes with it and the stories she tells.