Top 10 Favorite CM Radio Singles of 2009

“I’m just a ghost in this house. I’m just a shadow upon these walls. As quietly as a mouse, I haunt these halls…”

… Totally describes my activity amongst these parts the second part of this year! I didn’t even bother to lurk.  I’m hoping to change that and post again.  I really got disinterested and I chose to dedicate my time towards other things, even though the blog was probably the most popular when I left it.  It just gets hard to post so often, so I apologize for my self-imposed exile, but alas I am back (I will make a personal blog entry in the future with my new discoveries).

Anyway, over the last few days I’ve been thinking of which songs to put on my list.  I really didn’t listen to too much commercial country radio this year, because XM Radio and my iPod are superior in all ways possible to that, and my ears craved other genres’ music a bit more. That said, what I did hear on today’s country was not very good anyway haha. My list is based on the songs I did hear and enjoyed and I’m sure there are some great tunes I missed, but this is what I’m gonna give you, so you better like it!

Top 10 Favorite Country Music Radio Singles of 2009:

• 10. “Seein’ Stars” – Jack Ingram w/ Patty Griffin:
  • I’m well aware that this single was kinda just released but since it doesn’t seem to be doing that well, I decided I might as well bunch it onto ’09 (though I hope it turns around and becomes huge in 2010).  The reasons I like it is why it will probably bomb: because it’s more alternative country than mainstream, it’s slow-paced and radio probably doesn’t have any idea who Patty Griffin is! I love the simplicity of it and their vocals go together really well in the chorus.  I hear this on XM and every time, I like it more.
• 09. “Busted” – Patty Loveless:
  • People are probably going “what?” with this one.  I know it wasn’t really a single single and had zero airplay on the radio, BUT it says on Wikipedia that it was a single, so that’s good enough for me for this one! Loveless’s album, Mountain Soul II, is THE best country album of the year, in my opinion, and seeing as I’m not doing anything album-related for year-end countdowns, this is my way of honoring it.  This highly covered Harlan Howard song hasn’t been done exactly like this: above the cotton-picking to coal mine lyric change, Patty’s emotional mountain voice really shines here.  Despite the depressing state of the narrator’s life, the song makes me smile through how good it sounds. The addition of Del McCoury for sure makes that smile bigger.
• 08. “People Are Crazy” – Billy Currington:
  • I’ve read reviews saying that the production of this isn’t that country, and though maybe it’s just my 90′s-radio-upbringing messing with my ears, it sounds super country to me, compared to everything else. I appreciate the fact that Billy is recording different styles of music and this one was a pleasant surprise.  I agree that some of the lyrics, like the so-called chorus, could definitely be better done however the song as a whole is very nice.  His phrasing in certain parts recall classic country pieces, which I think is pretty cool, and the steel-usage is too.  I think if I sang this song, I would probably change “crazy” with an expletive though haha.

ACM’s “Artist of the Decade”: George Strait Review (Aired 05.27.09)

Rumors of my death are not clear, nor are they true.  I’ve been wanting to post but kept putting it off and did not have the time to execute it.  This review was a good way to get something in, without it being a recommendation.  I’m hoping this does not take too much time to write lol (but hopefully, still be long), so here goes!

Yeah my review is a bit postponed… it’s about a week and a half later and people probably don’t care about it anymore.  I ended up watching the tribute show the next evening after it aired because my eyes were glued to the Nuggets vs. Lakers game that night (my team lost, of course lol)…but anyway, I’ve been looking forward to this tribute show ever since I heard about it months ago.  The taping for this show took place the night after the ACM Awards in April.  George Strait is THE man and my favorite artist of all time, and it’s so cool to see this (sometimes) fine lineup of artists honoring him by performing his songs from throughout his career.  Overall, I immensely enjoyed and wish CBS would air re-runs so more people could see it.

Sugarland opening the show with their version of “Adalida”.  I usually don’t care for Jennifer Nettles‘s voice, but it worked really well here and you could tell she and the guy were passionate about it.  Though the lyrics are more suited for a male, it didn’t matter.  Love that Cajun feel!  YouTube performance video link.

Toby Keith followed with “Unwound”.  It had noticeably a slightly updated production but still kept the same basic sound, and Toby did an excellent job.  I haven’t heard his voice sound this good and spirited in years!  You don’t hear this song too often (unless you play it on iTunes), so it was a treat to hear it on here.  YouTube performance video link.

One of my personal favorites, Brooks & Dunn were next.  They chose, well Ronnie Dunn chose, for them to sing “The Cowboy Rides Away”.  This is a fine example of how well traditional country, a theme of cowboys, and B&D go together.  It even got Kix Brooks to sing along, in more than just harmony, equally on the chorus.  I really loved that, and Ronnie sang the hell out of the song.  YouTube performance video link.

The following performance was unique.  First, because the song choice is one of my least favorite Strait songs ever, and a song I don’t ever really listen to: “It Ain’t Cool to Be Crazy About You”.  The production on the original song, IMO, is so so boring and poppy, but with the second surprise, that being a duet of the song with Miranda Lambert and Blake Shelton, it was given new life and a more than tolerable listen.  They did a sweet job and it was nice to watch (Blake was also really funny in his opening words in regards to his Pure Country ode).  YouTube performance video link.

In a change to a non-Strait part of the evening, in a nod to past Decade Artist honorees, they added them into the show, with Keith Urban performing a medley of Marty Robbins‘s hits ["Singing the Blues", "El Paso", "A White Sport Coat (And a Pink Carnation)"].  I admit that Urban’s voice sounded good, but I still don’t buy him as a country singer, so the covers, to me, felt awkward and took too long.  He did better than three other people though, so I’ll consider it “OK”.  YouTube performance video link.

44th Academy of “Country Music” Awards Reaction

No, I am not dead and yes, I am a horrific monster for being so neglectful to this blog.  I feel so bad for posting nothing new since middle February.  I’ve been pretty busy and overwhelmed with work, dealing with student loan crap, I took a birthday trip, and I procrastinated too too long.  I don’t have much time to make posts these days, but I figured tonight was feeling good and I wanted to voice my opinion on some new things.  First off, the ACMs that took place on Sunday night – what a travesty to watch! These things get worse every year, seriously.  Even as an optimistic person, I don’t see a lot of real hope for the future of (mainstream) country music…

(I know, symbolism can only go so far, but I edited the above pic this way because, once again, the awards were all about the money – thus the ugly green color lol. I also used the “shoplifter” font because every time I watch these things, I feel like something big has been stolen from me, and from country music. The exclamation point kinda symbolizes how the intended audience for this show has young people written all over it!)

To begin, I did watch most the show on Sunday night (I switched back n forth between the awards, and one of my new favorite TV shows, Celebrity Apprentice – which I gotta say, as much as I love Clint Black and his music, I really didn’t like him that much in this last episode, and I am shocked that he wasn’t fired, as he should have been…but I still enjoy his music hehe).  I didn’t watch all of the Awards (thank God), but will comment on what I remember…even almost a week later. Here are reaction blogs from CU, 9513, and CC.

So, anyway, Brooks & Dunn semi-opened the show with their hit, and one of my favorites, “Play Something Country” (which caught me by surprise because that was their single like two years ago?), which was soon interrupted by Taylor Swift, Sugarland, AND Rascal Flatts (and Carrie Underwood joined too) who all sang small segments of their hit songs, which cut back n forth between the artists, and ended with a sing-a-long to B&D’s song.  Now, cutting forward to Taylor later in the show: she gave an over-the-top/I’m trying-too-hard performance of one of her new songs with a piano and David Copperfield, which began with “magic” and ended with an exaggerated head-into-arms gesture, which was supposed to be acting I’m guessing?  Wow, tragic.  There’s about a million more sells from teenage girls who were touched by how emotional it was (and btw, “Album of the Year”? WTF?).  Sugarland sang some song, and like I’ve said many times before, I’m not a fan of their’s, so I skipped forward…just don’t like that accent.  I didn’t even listen to the Rascals. Yuck.  No more screeching, please.  Carrie performed “I Told You So” in a huge staged-sized red dress and did one of the best vocal performances of the night.  I may not care for the song, but she did really good.  She seems to perform live best with the slower tunes. (oh, and congrats to her Entertainer win, though I do wish Strait won it, for selfish reasons :p).

Reba McEntire is hosting again and that’s great.  I love her and there’s a sense of comfort with her.  She did well with hosting duties, like always, and she became one of my favorite performers of the evening with her new single, “Strange”.  That song reminds me somewhat of “I’m Gonna Take That Mountain” , just with some rock sounds.  Can’t wait to hear the studio version.

Kenny Chesney and “Out Last Night”.  Hmm…decent, but still boring.  Would have been cool to see him with Mac McAnally, instead.  One thing I gotta say: I’m glad he didn’t win anything! (I’m a meanie, I know, that’s for sure, but I mean it.)

Recommendation XXXXIII: Danielle Peck

Today was an interesting day: I slept in ’til 11am (didn’t work today), ate lunch, headed to the park to take a run (I don’t get to run too often because of the cold weather and my freakin’ asthma lol), and when I got back, had to deal with a stalled car – the engine’s battery had gone out. That was my fault because stupid me left the car’s fan running on battery power while I was sitting in there for too long and it cost me. I was stuck there for about an hour, going around asking people for help like a loser and ask if they had jumper cables (I’m sure some did, but they were either scared or just mean haha). Anyway, a trio of strangers assisted me, with no problem at all, and kindness in their hearts. I think God wanted to prove two things to me today: there are still good people in this world, and don’t be an idiot and leave the battery running when it’s not necessary (and to buy jumper cables!).

My forty-third recommendation is: Danielle Peck’s “A Woman Does Too” from her 2006 Danielle Peck album.  I would still consider Danielle to be one of my favorite newer female singers in Nashville.  Her stunningly smoking beauty aside, she’s really talented and rather equipped with a distinctive and lovely voice with fine songwriting skills.  I first heard Danielle Peck‘s debut single, “I Don’t”, and took to it quickly (how could you not like a song that says “The difference is: Jesus loves you… I don’t.” ?).  And sure, after I researched her myspace and saw her gorgeous pictures, I did like her more, however I was even more so impressed with her music and with one website that listed her two influences: Patty Loveless and Trisha Yearwood.  I ended up pre-ordering her debut CD through MusiCountry, which offered an autographed album cover that I couldn’t resist.  After that, with singles, “Findin’ a Good Man”, and the similar, “Bad for You”, I knew I really liked her (I’m not really into “Isn’t That Everything?”, but it is catchy, I will admit).  I also like how the first two singles I mentioned in the last sentence are pretty country, but definitely contemporary/mainstream (the choruses are traditional-country/honky-tonk-like sounding, but the beats and the rest of it are pretty pop and rock-sided, somewhat like Shania Twain‘s “Any Man of Mine” is).

Top 16 Favorite CM Radio Singles of 2008

It took me a while to think up of a list.  I wanted to keep it mainly mainstream-based (my excuse for not including alternative country/americana singles, those of which I really couldn’t list lol).  I didn’t listen to a whole lot of mainstream country radio this year, as compared to past years, because of, of course, XM Radio and my iTunes/iPod.  My list definitely includes, and excludes, singles that other sites have placed on their year-end lists.  For my own, I was bent on making sure that the tracks considered were mostly 2008-played singles, and so I came up with these.  Some of these are surprises and others maybe not so much.

Happy New Years to everyone and hopefully your 2009 is much better (I know the first half of my ’08 was much better than the second, but I am satisfied with the time I got the spend the time with my family over this time – and kinda crazy – but it’s been a great year).  Btw, the pic above I chose because I was pretty green the whole year and I thought it looked nice, especially as a negative, as it is now)

Time to reveal my:

Top 16 Favorite Country Music Radio Singles of 2008:

• 16. “No Air” – Rissi Palmer:
  • Call me surprised as well.  When Rissi first came about, I supported her, but didn’t particularly care for her debut single (“Country Girl”).  It wasn’t until I heard her “countrified” remake of Jordin Sparks & Chris Brown’s pop hit, “No Air” that I became really interested.  Though Rissi’s version is still very poppy, I find myself lovin’ the heavy fiddle, mandolin, and steel production with the catchy vocals.  Too bad it wasn’t a hit.  Woulda been sorta cool if she maybe made this a duet with Keith Urban or something.

• 15. “Workin’ for a Livin’” – Garth Brooks & Huey Lewis:
  • Hahaha, another remake, I say?  Yes.  I find this a very catchy track, and it’s classic Garth: full of bluesy harmonica and rockin’ fiddle.  It’s like a hybrid of “Ain’t Goin’ Down (‘Til the Sun Comes Up)” and “Beer Run”.  To be quite honest, before this, I didn’t really know who Huey Lewis was, but had heard of him.  The music video is really cool and liking the NASCAR-theme.  Definitely a fun number to listen to and the lyrics are totally true.  I could do without the “working” female background vocals, however.  They’re annoying lol.

• 14. “Sounds So Good” – Ashton Shepherd:
  • The song title explains itself on how I feel about the track.  I love her über-twangy accent (I used to hate when people used that term, but it’s fine if I do it) and it confirms how much she loves being at home in the country.  Reminds me of the summer and of being out in the Arizona desert.  It’s contemporary country with traditional country soul.  I’m glad this song got played a decent amount, which was more than expected since radio kinda sucks.

• 13. “You and Me and Time” – George Jones & Georgette Jones:
  • I don’t think this song went anywhere on the charts, and was one of the best songs of 2008, IMO.  Georgette has such a beautiful voice and it’s very reminiscent of her mother, Tammy Wynette.  The song is about her childhood relationship with her father, and his absence that shadowed those times, and now, they’ve got time to be closer than ever.  It’s a sweet and pure country duet.  In the chorus, I love the pause after “time” and before “finally got together“… awesome.

• 12. “Rocks In Your Shoes” – Emily West:
  • Another one gone… newcomer Emily West really impressed me this one.  Very poppy, but as proven, country-pop can be done well, and she did it.  She got the title of the song from a phrase her grandfather used to say, if I’m not mistaken, and it took a big meaning.  Her voice reminds me of a younger, playful Patty Loveless.  One of the most catchiest songs of the year.  Check out her EP.

• 11. “His Kind of Money (My Kind of Love)” – Eric Church:
  • My favorite single from this guy.  I’ve never been too big on him, but have always liked this singles.  I really like the message of this song…money can’t buy everything, and you’ll realize that.  It can’t replace real and good love.

myTunes 36 Most Played Songs (12.10.08)

I’ve been thinking about doing this for quite some time – revealing what my top played songs are on iTunes.  By default, the most played playlist is set at 25 or something, but since 36 is my lucky number and 36 just happens to fit perfectly in the height of laptop screen monitor (to where I didn’t have to scroll down to see the whole list), it worked out so so good.

Revealing this list, for me, feels like letting out my public tax return information to the public lol (well, it wouldn’t be big at all, but just imagine that I’m a celebrity and this is now common knowledge).  I’ve got nothing to be ashamed of, though some of my choices and rankings of some songs and artists might surprise/turn off/turn on some people, so it’s your choice on what you’ll decide to think of me from now on hahaha.  Whatever, though.  We all have our guilty pleasures/inner demons :p.

I’ll list it backwards, from #36 to #1.  It’s pretty accurate (well, these are based on plays from when I uploaded the tracks to my laptop’s iTunes in summer 2006, and from iPod plays, so it’s based from then).  You will see my varying tastes, from traditional/pop/alternative/rocking/country,bluegrass, rock, pop, and alternative rock.

These below are my stats, as of this moment, Tuesday night, December 9th. 2008 @ 11:23pm (out of about 39,000 plays):

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

iCF Music Site Rolodex (11.19.08)

I am loving the new amount of traffic that’s been coming through here lately (I had about an average of 35-40 different people per day reading the site this week, which is pretty impressive for this blog).  July had the most visitors for the month, but it died down as my blogging lagged, and that makes sense since people lose interest when there’s nothing new lol.  We’ll see how the end of this month does compares to then!  I actually had lots of visitors for the CMA Awards entry (probably because of all those artist tags ha).  I gotta thank Ken Barnes from the “LISTEN UP” USA Today Blog, for linking to this site for this week’s playlist for his Crystal Shawanda recommendation (there are others on the list as well)  Anyway, for this entry, I wanted to recommend the links from my “Other cool music sites” heading on the right, and explain why I chose them to be there.  This is one of my tributes to them and their great work (you can see my “blogroll” tribute here).

(I chose this picture because it was cool and kinda signified the link between my site and these other sites.  They are part of the puzzle that makes the online music world greater.  We may not always “fit in” with others, but we make it work, somehow.  A “necessary connection”, if you will.  Alright, enough with all the corniness.  It’s mostly because I think it’s cool to look at!)

So, let’s get to it.

iCF Music Site Rolodex:

> .::Strait-LAW Forums::. :

- O.K. I admit; this is a shameless plug for one of my own other sites lol, but why not?  It needs more traffic especially with all the info that’s been posted on it.  It’s a message board dedicated to two of my favorite artists, George Strait and Lee Ann Womack.  I spent lots of time on it over the years (the forums officially started July 2004!) and it has changed much since then.  It used to be only a Womack board, but became Strait too, in May 2005.  It’s had its in and outs, but I called it everything but quits ;).  Anyway, not to give a history lesson, but you can read more about the history here and check it out!  Tag-line is: “It’s where you’ll get the good news and the bad news (and anything in between)” - a reference to their first duet.

> All Music Guide :

- One of my absolute favorite sites I go to.  I constantly visit them to read their reviews and listen to audio clips for music.  I used their clips for this site because they’ve got tons of music to sample.  I really like the way all the information is organized and I’ve learned a lot, musically, from there.  They’ve got a music blog too, but their entries about country music seem to be lacking…

> Angry Country :

- This is an online magazine with plenty of country album/concert reviews, interviews, news, and such – “Honest Country Music News” is their tag-line.  I enjoy this site, though I do remember when it was different in the past and a bit more critical (which is more to my liking lol) on artists and a bit more traditional-sided.  Guess they’re not as “angry” as they used to be.  Still a worthy place to visit, for sure.

> Country Interviews Online :

- Just like it says, this is the site to go to for interviews and Q&A’s and also, CD/concert/video reviews and lots more!  There are a good amount of pages I still need to get through!  So much.  The site is structured around frames, so it’d be kinda hard for a visitor to link to a specific page if they didn’t know the whole “right click, copy properties” method, but it’s a nice set-up, overall.

> Country On-Demand :

- This site always impresses me with its colorful, diverse images and consistency with the latest country news.  I believe the site is run by Derrick and Dustin, both gentlemen who I’ve run across and talked to online many times and they’re good guys and have a huge commitment to the site and are also huge fans of country music (how’s that for a run-on sentence, but it’s true).  I’m so glad the site seems to be going strong and I’m a big supporter of it all.  They be goin’ places! Definitely check it out.

iCF Single Reviews #4 (Week of September 28, 2008)

I’m hoping that I can get this done tonight.  I wanted to do another round of single reviews, since I haven’t done one in about two months or so.  There’s a good amount of newer material waiting for me to get my opinionization on with (not a word, but I like the way it sounds), so here it goes.  I’m using the Radio & Records website chart for this week, and I will take a listen to every song to its entirety (if I can stand it), and give it a fair review.  Fortunately (or unfortunately) I have heard most of these songs already, since the XM Radio service in the car is gone (yes, I’m crying the blues – it is horrible without our baby) and I am now listening to normal commercial country radio.  Good thing for me is that I usually listen to the alternative/independent rock station here more, so I don’t have to deal with some of the problems that plague today’s country radio.  I’ll review as far long as I can get before I have to take off.  Time for critical iCF to return (my last recommendations fired me up!)…

01. “Don’t Think I Don’t Think About It” – Darius Rucker:

- Wow, did not think this song would reach number one!  I already reviewed it in my last post, and my opinion has changed slightly.  It’s still a good song and the music is still pleasant.  I’m OK with the vocals… a bit overdone with the “don’t thank I don’t thank about it” part.  Gets kinda old, but I’m happy for Mr. Rucker.  I have yet to really check out his new album but from the clips I’ve listened to, it’s good-sounding music.  3.5 out of 5 stars. Buy here!

02. “Everybody Wants to Go to Heaven” – Kenny Chesney:

- Already another hit?  Let me just say: George Strait does it much better (aside from the weird Jamaican accent thing he does at the end of his version…just bizarre).  I personally think it’s a disgrace that in years from now, Kenny Chesney will be considered a “legend” in country music history.  Thanks radio!  (I admit, I like a little of his music, but radio plays the heck out of whatever he releases, no matter what quality it is, so that’s not really saying much).  We’re in the Hurricane Kenny era, and our beaches are not safe.  2.0 out of 5 stars.

03. “She Never Cried In Front of Me” – Toby Keith:

- This is a different sound for Toby, and it’s not bad.  Not my favorite from him, but it’s a lot better than some of his other material that grew tiresome for me.  The production is heavy on the drums and electric guitar in the chorus, and with the strings, but whatever.  I like variety and I’m not really gonna complain here.  3.0 out of 5 stars.

04. “All Summer Long” – Kid Rock:

- Man, talk about overplayed… even on XM Radio, this song was cranked out on about every music station I listened to and I could not escape it.  I gotta give it credit: it’s a good song and very catchy, but all those listens, had me lunging for the next number to play anything but this.  Still, I’d rather hear this tune than hear the mother of overplayed songs – and the one that he took the music from – Lynyrd Skynyrd’s “Sweet Home Alabama” (don’t get started with that song…ahh).  3.0 out of 5 stars.

05. “Do You Believe Me Now?” – Jimmy Wayne:

- I also already reviewed this one and I was stoked and happy that it reached number one some weeks ago.  Now, Jimmy just needs to release his duet with Patty Loveless, “No Good for Me” (I’ve got no clip, unfortunately), and I’ll be in heaven.  4.5 out of 5 stars. Buy here!

06. “Just a Dream” – Carrie Underwood:

- The poppy piano intro music is a great way to start off this ballad, and it sounds beautiful with the voice to go with it.  She does tend to overdo it at times in the chorus, though, but it is distinguishable in her catalog.  The lyrics are just as good as the vocals, and this is probably one of her best singles so far.  I may not be a “fan” of her’s, but I support her.  4.0 out of 5 stars. Buy here!

Recommendation XXXVI: Vince Gill (triple-track)

Now we’ve hit a milestone (for me, at least)…: number 36. This one is real special for me because it’s my lucky number (won’t tell ya why), so I needed a special artist to go with it. I had trouble choosing the artist and the songs that I’d select from them. I know it needed to be a triple track one (hmm, that sounds like a better title than “threesome”, doesn’t it?. Okay, I’m changing it to that now, because the former was almost borderline weird-ish, though it wasn’t intended to be), so I finally made a choice I was satisfied with. This post will be a kinda long one, so prepare yourself for it: take out a comfortable chair and a nice glass of something to sip on…

My thirty-sixth recommendation is/are: Vince Gill’s “Out of My Mind” and “What You Don’t Say” from his 2006 These Days album, AND “Kindly Keep It Country” from his 1998 The Key album.  Yes, yes, it is Vince!  I really couldn’t imagine not discussing him and his music, and it took me quite a while to get to him, but the time has finally come.  Vince Gill is truly one of my absolute favorites and he’s one of the one most talented people in the music industry, ever.  He can sing, write, produce, and play at the highest quality there can be, and that makes him an all-around five-star musician.  I was a fan of his back in the ’90s when I was a little boy, and I didn’t realize how great he was until I bought the Souvenirs album (a greatest hits collection) some years ago and remembered all those songs I loved back then.  As of this moment, I own 71 of his songs (not including the songs I own that include his harmonies/background vocals) and I do plan to add more (he’s probably worked with everybody that I’ve reviewed on this site already lol).  Choosing the three tracks for this recommendation was not an easy task , but I made up my mind.