Top 10 Favorite CM Radio Singles of 2009

“I’m just a ghost in this house. I’m just a shadow upon these walls. As quietly as a mouse, I haunt these halls…”

… Totally describes my activity amongst these parts the second part of this year! I didn’t even bother to lurk.  I’m hoping to change that and post again.  I really got disinterested and I chose to dedicate my time towards other things, even though the blog was probably the most popular when I left it.  It just gets hard to post so often, so I apologize for my self-imposed exile, but alas I am back (I will make a personal blog entry in the future with my new discoveries).

Anyway, over the last few days I’ve been thinking of which songs to put on my list.  I really didn’t listen to too much commercial country radio this year, because XM Radio and my iPod are superior in all ways possible to that, and my ears craved other genres’ music a bit more. That said, what I did hear on today’s country was not very good anyway haha. My list is based on the songs I did hear and enjoyed and I’m sure there are some great tunes I missed, but this is what I’m gonna give you, so you better like it!

Top 10 Favorite Country Music Radio Singles of 2009:

• 10. “Seein’ Stars” – Jack Ingram w/ Patty Griffin:
  • I’m well aware that this single was kinda just released but since it doesn’t seem to be doing that well, I decided I might as well bunch it onto ’09 (though I hope it turns around and becomes huge in 2010).  The reasons I like it is why it will probably bomb: because it’s more alternative country than mainstream, it’s slow-paced and radio probably doesn’t have any idea who Patty Griffin is! I love the simplicity of it and their vocals go together really well in the chorus.  I hear this on XM and every time, I like it more.
• 09. “Busted” – Patty Loveless:
  • People are probably going “what?” with this one.  I know it wasn’t really a single single and had zero airplay on the radio, BUT it says on Wikipedia that it was a single, so that’s good enough for me for this one! Loveless’s album, Mountain Soul II, is THE best country album of the year, in my opinion, and seeing as I’m not doing anything album-related for year-end countdowns, this is my way of honoring it.  This highly covered Harlan Howard song hasn’t been done exactly like this: above the cotton-picking to coal mine lyric change, Patty’s emotional mountain voice really shines here.  Despite the depressing state of the narrator’s life, the song makes me smile through how good it sounds. The addition of Del McCoury for sure makes that smile bigger.
• 08. “People Are Crazy” – Billy Currington:
  • I’ve read reviews saying that the production of this isn’t that country, and though maybe it’s just my 90′s-radio-upbringing messing with my ears, it sounds super country to me, compared to everything else. I appreciate the fact that Billy is recording different styles of music and this one was a pleasant surprise.  I agree that some of the lyrics, like the so-called chorus, could definitely be better done however the song as a whole is very nice.  His phrasing in certain parts recall classic country pieces, which I think is pretty cool, and the steel-usage is too.  I think if I sang this song, I would probably change “crazy” with an expletive though haha.

ACM’s “Artist of the Decade”: George Strait Review (Aired 05.27.09)

Rumors of my death are not clear, nor are they true.  I’ve been wanting to post but kept putting it off and did not have the time to execute it.  This review was a good way to get something in, without it being a recommendation.  I’m hoping this does not take too much time to write lol (but hopefully, still be long), so here goes!

Yeah my review is a bit postponed… it’s about a week and a half later and people probably don’t care about it anymore.  I ended up watching the tribute show the next evening after it aired because my eyes were glued to the Nuggets vs. Lakers game that night (my team lost, of course lol)…but anyway, I’ve been looking forward to this tribute show ever since I heard about it months ago.  The taping for this show took place the night after the ACM Awards in April.  George Strait is THE man and my favorite artist of all time, and it’s so cool to see this (sometimes) fine lineup of artists honoring him by performing his songs from throughout his career.  Overall, I immensely enjoyed and wish CBS would air re-runs so more people could see it.

Sugarland opening the show with their version of “Adalida”.  I usually don’t care for Jennifer Nettles‘s voice, but it worked really well here and you could tell she and the guy were passionate about it.  Though the lyrics are more suited for a male, it didn’t matter.  Love that Cajun feel!  YouTube performance video link.

Toby Keith followed with “Unwound”.  It had noticeably a slightly updated production but still kept the same basic sound, and Toby did an excellent job.  I haven’t heard his voice sound this good and spirited in years!  You don’t hear this song too often (unless you play it on iTunes), so it was a treat to hear it on here.  YouTube performance video link.

One of my personal favorites, Brooks & Dunn were next.  They chose, well Ronnie Dunn chose, for them to sing “The Cowboy Rides Away”.  This is a fine example of how well traditional country, a theme of cowboys, and B&D go together.  It even got Kix Brooks to sing along, in more than just harmony, equally on the chorus.  I really loved that, and Ronnie sang the hell out of the song.  YouTube performance video link.

The following performance was unique.  First, because the song choice is one of my least favorite Strait songs ever, and a song I don’t ever really listen to: “It Ain’t Cool to Be Crazy About You”.  The production on the original song, IMO, is so so boring and poppy, but with the second surprise, that being a duet of the song with Miranda Lambert and Blake Shelton, it was given new life and a more than tolerable listen.  They did a sweet job and it was nice to watch (Blake was also really funny in his opening words in regards to his Pure Country ode).  YouTube performance video link.

In a change to a non-Strait part of the evening, in a nod to past Decade Artist honorees, they added them into the show, with Keith Urban performing a medley of Marty Robbins‘s hits ["Singing the Blues", "El Paso", "A White Sport Coat (And a Pink Carnation)"].  I admit that Urban’s voice sounded good, but I still don’t buy him as a country singer, so the covers, to me, felt awkward and took too long.  He did better than three other people though, so I’ll consider it “OK”.  YouTube performance video link.

44th Academy of “Country Music” Awards Reaction

No, I am not dead and yes, I am a horrific monster for being so neglectful to this blog.  I feel so bad for posting nothing new since middle February.  I’ve been pretty busy and overwhelmed with work, dealing with student loan crap, I took a birthday trip, and I procrastinated too too long.  I don’t have much time to make posts these days, but I figured tonight was feeling good and I wanted to voice my opinion on some new things.  First off, the ACMs that took place on Sunday night – what a travesty to watch! These things get worse every year, seriously.  Even as an optimistic person, I don’t see a lot of real hope for the future of (mainstream) country music…

(I know, symbolism can only go so far, but I edited the above pic this way because, once again, the awards were all about the money – thus the ugly green color lol. I also used the “shoplifter” font because every time I watch these things, I feel like something big has been stolen from me, and from country music. The exclamation point kinda symbolizes how the intended audience for this show has young people written all over it!)

To begin, I did watch most the show on Sunday night (I switched back n forth between the awards, and one of my new favorite TV shows, Celebrity Apprentice – which I gotta say, as much as I love Clint Black and his music, I really didn’t like him that much in this last episode, and I am shocked that he wasn’t fired, as he should have been…but I still enjoy his music hehe).  I didn’t watch all of the Awards (thank God), but will comment on what I remember…even almost a week later. Here are reaction blogs from CU, 9513, and CC.

So, anyway, Brooks & Dunn semi-opened the show with their hit, and one of my favorites, “Play Something Country” (which caught me by surprise because that was their single like two years ago?), which was soon interrupted by Taylor Swift, Sugarland, AND Rascal Flatts (and Carrie Underwood joined too) who all sang small segments of their hit songs, which cut back n forth between the artists, and ended with a sing-a-long to B&D’s song.  Now, cutting forward to Taylor later in the show: she gave an over-the-top/I’m trying-too-hard performance of one of her new songs with a piano and David Copperfield, which began with “magic” and ended with an exaggerated head-into-arms gesture, which was supposed to be acting I’m guessing?  Wow, tragic.  There’s about a million more sells from teenage girls who were touched by how emotional it was (and btw, “Album of the Year”? WTF?).  Sugarland sang some song, and like I’ve said many times before, I’m not a fan of their’s, so I skipped forward…just don’t like that accent.  I didn’t even listen to the Rascals. Yuck.  No more screeching, please.  Carrie performed “I Told You So” in a huge staged-sized red dress and did one of the best vocal performances of the night.  I may not care for the song, but she did really good.  She seems to perform live best with the slower tunes. (oh, and congrats to her Entertainer win, though I do wish Strait won it, for selfish reasons :p).

Reba McEntire is hosting again and that’s great.  I love her and there’s a sense of comfort with her.  She did well with hosting duties, like always, and she became one of my favorite performers of the evening with her new single, “Strange”.  That song reminds me somewhat of “I’m Gonna Take That Mountain” , just with some rock sounds.  Can’t wait to hear the studio version.

Kenny Chesney and “Out Last Night”.  Hmm…decent, but still boring.  Would have been cool to see him with Mac McAnally, instead.  One thing I gotta say: I’m glad he didn’t win anything! (I’m a meanie, I know, that’s for sure, but I mean it.)

Check This Out: “Red Light” – David Nail

I usually don’t do single “single” reviews (meaning a current radio song featured in its own individual entry), but I felt inspired to do one tonight. When I was on iTunes about a week ago, I was glancing through the new country releases. None of them really stood out to me a whole lot, so I figured I’d listen to one of the new ones that I had never heard of. Once I pressed play to this new song, I was quickly drawn to how catchy it was, and what a good find it turned out to be.  Later on, I downloaded it from Amazon (gottsa have the MP3!) and I am happy with my decision.

“Red Light”, the current (third) single from newcomer, David Nail, is a fine example of what good mainstream, contemporary poppy country can be.  Some may disagree and be quick to write him off as just another pretty boy trying to make it in country by singing slick material, but I don’t think he is.  I’m not sure what his other material sounds like, so I will not be quick to label him as anything yet, but he has potential and this single is really cool (Nail, please, don’t make me look bad lol.  Don’t become a Rascal Flatts, etc.-wannabe… although this acoustic performance video of a different song, “Here In Misery (Missouri)” shows otherwise – he does have talent.).

It says something I have never heard in a song (well, there are different variants of it, of course, but I can’t think of one like this, at the moment): it’s about the moment when his girl told him it’s all over when they’re stopped at a red light in the sunshine, and how it hit him hard, and unexpectedly, because it was not the typical setting or environment for such a blow (there is a time and place, c’mon).  Just imagine a seemingly normal, nice Sunday out on a cruise with your companion and then all of a sudden, getting blown away with that kinda news – there’s a huge visual contrast between what’s going on outside in the car and inside your heart when you get that news.  Like a car crash that physically didn’t happen but you’re feeling it internally, anyway.

I think the song captures that moment and feelings really well, and Nail’s vocals are sincere and invoke that heartbroken, world-crashing-down mood this type of song needs.  The production accompanies his voice and the lyrics like it should (Frank Liddell, Miranda Lambert‘s producer, might have produced it, it looks like).  I really do feel bad for him, and if a song can make me feel like that, it’s good.  I can somewhat relate to that sinking feeling, but won’t get into that.

I definitely am interested to see what else he puts out, and hope this song serves as a platform for a quality-heavy career.

Buy on Amazon.com / Buy on iTunes.  (lyrics below)

iCF Single Reviews #6 (Week of December 11, 2008)

Wow wow wow.  I’m so neglectful of this blog sometimes lol.  I actually had started writing this post like the day after Christmas, but I never finished it and just kept it as a draft until now (I also erased some comments I made that wouldn’t make sense today lol – I just left the pic of Toby there).  Anyway, I’m here to review some singles I have yet to have voiced my opinion on, so far.  This is based off of the current R & R chart rankings.

10. “Down the Road” – Kenny Chesney & Mac MacAnally:

- Can’t believe I’m saying this, but this song isn’t too bad.  I like the acoustic and simplicity it has and I’m glad Kenny experimented on something kinda different here and introduced us to MacAnally.  Not an incredible song or anything, but gotta give this Jimmy Buffett-wannabe some credit (and credit for ditching the puka necklace – that was getting so old, man).  2.0 out of 5 stars.

12. “Sweet Thing” – Keith Urban:

- I kinda reviewed this in my CMA Awards reaction post, and it was actually favorable.  Urban did a solidly gripping performance of his new single and it stood out.  I would not consider it country at all, but damn, is it catchy.  I think some of the verses’ sound are reminiscent of Rascal Flatts’s (horrific) remake of  “Life Is a Highway”, but Urban is miles better than them (but just as pop, IMO) and the comparison with those songs only lies there.  This single’s chorus, as mentioned in other online reviews, is similar to Urban’s other songs, like “Better Life” and “Somebody Like You”, however it is still pretty fresh.  Surprisingly, I like the “do do do do do“s, and I think a lot of my likeness for the song began with the CMA performance, in which I first heard the song debuted.  Not country at all, but I like it, and bought the Mp3 on Amazon.com (well, I used my Pepsi free points to get it, so I don’t feel so guilty supporting him lol).  4.0 out of 5 stars. Buy here!

13. “God Love Her” – Toby Keith:

- This is actually my first time hearing this (btw, that is a nice pic of Toby above), and I don’t think it’s great or horrible – kind of in the middle.  Definitely a more mainstream-rock/poppier sounding Toby, with a similar feel of “Whiskey Girl”.  It’s catchy, though a little overproduced.  I wouldn’t call myself a Toby fan anymore, by no means (I think that shipped sailed several years ago – he just got annoying).  Nothing special here.  2.0 out of 5 stars.

14. “Cowgirls Don’t Cry” – Brooks & Dunn with Reba McEntire:

- Like I’ve said before: I’m lovin’ that B&D brought back the fiddle to their music! It’s been absent way too long.  This song is classic Brooks & Dunn, like their old stuff in the ’90s and I love it.  Bringing on Reba made it even better (though, I think this new recording sounds too “live” and it was edited in somewhat oddly).  I would comment more, but I’m considering another post on them in the future, so I don’t wanna repeat myself.  Cool music video too! 4.5 out of 5 stars. Buy here!

16. “River of Love” – George Strait:

- Don’t want to say much about this huge disappointment of a single (and a song), especially since Strait is my #1, because it’s just a bad choice of a song to record.  Nice steel guitar but not even the King could get me to like this.  Now, I really see how radio stations will play just about anything from certain people, regardless of the quality, even from some of my favorites.  This is a shipwreck, in my eyes, but of course it will be a top 5.  1.5 out of 5 stars.

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

42nd Annual “Country Music” Association Awards

Just read some interesting live blogs (CU & The9513) covering last night’s award show and while my opinions lined up with their’s at times, I also had disagreements.  I did actually watch the whole show last night, “live” as it came to my Mountain Time home (so, in other words, an hour behind), because I wanted it to be fresh this year for me, and I know going online would mess up any surprises.  I also actually watched the live red-carpet show on CMT.  Since I did not do a live blog, I thought I might share my opinions right here as a day-after analysis.  And I ain’t gonna hold back…

(you like my picture above?  I made it green because, you know, after all is done and said, that’s what the awards were all about.  The green… and I don’t mean the environmentally-friendly kind)

On the red-carpet pre-show.  It was decent, but I was kinda wanting to see other people than the ones they interviewed. Remember, I’m going by my memory here, so I might miss out on some details.  Two things I remember: Jack Ingram‘s wife, Amy’s, oddly short dress: wow… don’t know what she was thinking lol, but no worries (I’m a guy, yes, but I thought it was a strange choice).  And I guess Alan Jackson‘s daughters are all into the pop-country craze, which I found interesting.  So cool to see him and his family, though.

For us, the awards didn’t televise until an hour after the red-carpet show, which I always hate because I wish I could see it live live.  Brad Paisley and Keith Urban started into the show with their duet, “Start a Band”, which I thought was cool that it was the first time they performed it together live, but I wasn’t too impressed, and waited for what was next.  When Brad finally performed his own song, “Waitin’ On a Woman”, it was nice too, but I wasn’t crazy for it.  Keith’s new song is anything but country, though I found myself liking it, for some reason (like I’ve noticed and posted before, I seem to like his really pop singles lol).  Not country at all but not bad.

I thought Paisley and Carrie Underwood, overall, did a fine job as hosts.  Of course, could have been done better, but it is a tough job to do, so I give them props for that.  Carrie did an amazing execution of “Just a Dream”.  I think it was a good idea to have the war widow speak before that because it gave it more meaning.  Definitely one of the best and moving performances of the night.  Also, congrats on her “Female” win.

I was stoked that George Strait won for “Single of the Year” for his excellent song, “I Saw God Today”.  I was pretty sure that “Stay” was going to win.  While we’re on the topic of King George, I gotta say his win for “Album of the Year” was even greater because I really like Troubadour and it was even more special that Lee Ann Womack got to present it to him (with Josh Turner) because they have such admiration for one another and George is one of her biggest heroes and she had won that award for the amazing There’s More Where That Came From years before.  I bet she’ll be accepting the award next year for Call Me Crazy.  Even better that producer, Tony Brown, went up there too! (he produced Strait’s & Womack’s latest projects).  Moving further in the program, honestly, George’s performance of “River of Love” was definitely not something I was looking forward to because I don’t really care for the song (too Kenny Chesney-like) but I think his vocals and the steel guitar save the song from being a total failure (in anybody else’s hands, it would be really bad).

Kellie Pickler.  I really don’t know what people see in her, to be honest.  Her personality is really cute, but dumb blondes don’t really do anything for me, unless I know the person and can’t tease them up front.  I thought her performance was the worse of the night.  I think she tries too hard and the music was way louder than her vocals.  Just a bad performance through and through.  Horrible.

iCF Single Reviews #2 (Week of June 22, 2008)

Looking at my blog, I decided that what I really need to do if I want to ensure its survival and interest, I need to post a lot more (obviously lol), and I think it is necessary to expand into other things/ideas because just doing recommendations is not enough (even though it is this blog’s specialty, I am quite aware that my monthly blog posts isn’t adequate enough to keep my readers staying around, because as a fellow blog reader, I am the same way – I need constant and consistent postings!).  So, I’m going to try to do other things on this site, but the recommendations will still, be first and foremost, the most important feature of the site and I’ll try to do them more frequently!

One feature I started some months ago was reviewing current “country” radio singles.  I noticed that I usually only review songs I like or artists I like and don’t really review ones I don’t.  I’m all for optimism but reality is, they are a lot of songs that are pure crap and need to be justifiably criticized for it lol (Rascal Flatts come to mind?).  Anyway, I’m going to review the Top 17 songs of the week based on the Radio & Records‘ website chart.  My opinions will vary and I will definitely be as honest as possible.  I will not post links to the review singles because chances are you most likely have already heard the songs and plus, I’m lazy to look them all up lol.  FYI: you should know I don’t listen to mainstream country radio a lot (well, now I am a lil bit more because I have my stereo in my room and didn’t have an iPod for a while. Otherwise, I listen to XM Radio in the car or iTunes when I’m at school), so I may not be as sick of these overplayed songs as you are, so we shall see. Here we go… (this will be a longggg post!)

01.  “Better As a Memory” – Kenny Chesney

- Surprise, surprise.  Look who’s #1 again.  The song is OK, but not worthy of #1,  The lyrics are mediocre and the vocals just the same.  I admit it’s nice that it’s not overproduced, but all in all, I don’t see what people see in him these days.  2 out of 5 stars.

02.  “Last Name” – Carrie Underwood

- Usually I don’t care for Miss Underwood’s singles because radio KILLS them with overplay (even though they’re good, country or not), but with this song, I just can’t get enough of it.  It’s catchy and fun to sing along with (I sing “I don’t know even know her last name” instead lol but it doesn’t quite make as much sense but whatever).  Musically, it reminds me of Shania’s “Honey I’m Home” with the rocking guitar, drums, and the fiddle.  This was a great choice for a summer song.  I think she is really talented and I’m liking her more, though I still think she is way overplayed.  5 out of 5 stars. Buy here!

03.  “Home” – Blake Shelton

- Blake has lately been hit-and-miss with me over the last few years.  I’m just not into him as much.  I really don’t like this song even though his vocals are nice.  Sometimes doing remakes/covers is annoying because you keep comparing it with the original or another version.  I just don’t like it.  1 out of 5 stars.

04.  “I’m Still a Guy” – Brad Paisley

- Here’s a guy who’s music I must recommend sometime in the future.  I love that he helps make traditional/real country popular with his songs and that he does it while being so cool.  This single, one of his other gimmicky haha songs is really clever, once again displaying his immense talent as a songwriter, and his ode to traditional country.  His novelty songs do get annoying though sometimes.  I should love this song, but I don’t.  I like it but for some reason, the extremely unnecessary, but short, whole baby/cradle-music thing that’s goes on the song is like chalkboard-scratching to my ears.  I think it kinda messes up the song to be honest lol (just like when children sing in songs, for example: like in  “Ain’t Nothin’ Like” on his Mud on the Tires album.  Good song until the kids get involved).  I just don’t like that.  4 out of 5 stars. Buy here!

05.  “Every Day” – Rascal Flatts

- Crap.  Annoying crap like always.  Seriously, though.  The music, though it isn’t country at all, is not too bad and the vocals are OK (but get pretty whiny several times, as expected from Gary LeVox).  This boy band continues their Murder Row Massacre once again with this song, so of course, radio can’t get enough of it.  One somewhat positive thing about it: MUCH better than their next single, “Bob That Head” (yes, I said bob that head… a title which makes you think, and considering the double entendre and who’s singing it to you, makes you just want to barf).  1.5 out of 5 stars.

Recommendation XIII: Lee Ann Womack

Happy 4th of July! I seem to have a tendency to make new blog entries on holidays lol (the last one was on Father’s Day). Today, my Independence Day is not as exciting or action-packed as past years in my life, as I have not done much at all – that’s why I’m making a new entry now and also, I owed it to you all haha. Today’s recommendation is not related to today or have any theme like that: it’s just a song I’ve been wanting to do for quite some time and from an artist who puts out some of the best music out there, so it was tough to choose one song from them to do.

My thirteenth recommendation is: Lee Ann Womack’s “I Know Why the River Runs” from her 2000 I Hope You Dance album. This is the country album that got me back into country music years ago. I’ve really got to thank my sister mostly, because she bought this CD for my mother (my mom loved the title track), and we used to listen to it all the time in our old vehicle. That was like the only CD we really listened to haha…and none of our road trips would be complete without hearing some of the songs from this album and especially “I Know Why the River Runs”. Anyway, people need to realize that this album is much more than the hugely-ginormously popular title track, “I Hope You Dance” (which is my favorite Lee Ann Womack song of all time) and I’d definitely recommend people and fans check out her other music. This album has so many styles of country music on it mixed together: traditional, honky-tonk, bluegrass, contemporary pop-country, and I think the other songs are majorly overlooked by people who love the title song.