51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

iCF Single Reviews #3 (Week of July 6, 2008)

I don’t want to overwhelm you with too many posts, because this massive amount of posting within days is not the norm around here lol, but I just felt like writing tonight. Just felt inspired by other blogs that I read today. Blogging can be very…therapeutic and admit it: it’s pretty fun (just like in real life, I like to express my opinion when I feel like it). O.K. Here’s Numero Tres… and just like last time, the numbers I chose are kinda odd, but I’m going to pick up where I left off last time: #17 and go to #36 (since that’s my lucky number ;) ). I’m getting my chart rankings from Radio & Records‘ site once again, though it is last weeks’ chart I’m using since they have yet to post the latest, but it doesn’t matter. On with the show…

17. “Learning How to Bend” – Gary Allan:

- When Gary started coming out with more rock/pop-sounding material, I was a bit weary. I did love his remake of “Best I Ever Had”, but I missed his more countrier stuff. With his new album, Living Hard, and its first single, “Watching Airplanes”, I initially didn’t like that song. I grew to love it because of the video and its footage of my Colorado’s Red Rocks and now I’m loving it. With this new one, it sounds good, and keeps with the heavy rock sound with strings and such, but I’m not feeling it totally. The chorus, especially, feels too much like the previous single. I don’t consider it “country”, but otherwise, overall, it’s not a bad tune. I wish Gary all the best (btw, does it bother anybody else when people misspell his last name into “AllEn”? I guess I’m nitpicky lol). 3.5 out of 5 stars. Buy here!

18. “Holler Back” – The Lost Trailers:

- I read a review somewhere a while back that mentioned that the idea of the song came from Gwen Stefani’s pop hit, “Hollaback Girl”, and that was interesting. I think this uptempo is somewhat catchy but for the most part, just sounds “B-A-N-A-N-A-S” and kinda annoying like the pop song (funny side note: coincidentally No Doubt’s “Don’t Speak” is on the radio right now as I’m writing this haha). Hopefully, The Lost Trailers have more offer than this, and can distinguish themselves from the other groups with similar names (too many of them!). 2.5 out of 5 stars.

19. “Every Day” – Rascal Flatts:

- Yeah… already reviewed that one last time. Still… 1.5 out of 5 stars.

20. “Do You Believe Me Now?” – Jimmy Wayne:

- I’ve come across this single several times on the radio and seriously thought I was listening to a rock station or something. The song could totally be played there with its heavy use of loud electric guitar and drums, even with it’s slight mandolin usage. Sounds like something Rob Thomas would release, which is not particularly bad because he’s a good singer, but does it belong on country radio? I really like Jimmy’s voice a lot and will forgive him for it, and the song alone is pretty good, so I’ll let it slide. 3.5 out of 5 stars. Buy here!

21. “That Song In My Head” – Julianne Hough:

- The beginning of this song reminds me Jo Dee Messina’s current single lol (I like to make a lot of connections, you see. And Jo Dee’s tune will be reviewed later on in the post). I think the song is alright. The voice is Kellie Pickler-ish (which is not good in my books) but I won’t hold that against her because Hough’s voice is better (she’s also very easy on the eyes). I do understand how it is to have a song stuck in your head all day: even bad ones do, and that’s when it drives you crazy. I like this dancer/singer’s effort but this is not a song I’d want stuck in my head: it’s too ehhh for me. 2 out of 5 stars.

22. “Troubadour – George Strait:

As anyone should know by now, I love George’s music (he’s my #1), but his current single fails to impress me. Even when I first heard it, I thought it was O.K. and even Vince Gill’s harmony wasn’t enough to change that. I dunno… I like what the lyrics say but something about it doesn’t grab me. I wish they didn’t release it as a single, but I may change my mind if I hear it enough and I like it more. I really hope the next single is his duet with Patty Loveless, “House of Cash”! (Oh btw, I also wish George would write more… he said he isn’t motivated, but his older songwriting work was good, especially the greatness of “I Don’t Want to Talk It Over, Anymore” from his box set.) 3 out of 5 stars.

Recommendation XII: Johnny Cash

Again, I have returned after another semi-long absence. I do apologize for not blogging too much as I should be: I get way busy and since it is summer, I’m trying to spend my time exercising, being outside, and trying to find a job lol, and whenever I do come on here, I put off blogging since it takes over an hour just to set up the entries for me. Even though I’m posting this late in the day: Happy Father’s Day to all worthy fathers out there! This somewhat ties into my latest recommendation…

My twelth recommendation is: Johnny Cash’s “The Man Comes Around” from his 2002 American IV: The Man Comes Around album. I’m a pretty big Johnny Cash fan, but I pale in comparison to those who own so many of his albums and songs throughout his lifetime. What drew me to Johnny initially was his song, “Hurt”. I’d love to review that song too, since it is my favorite all-time Cash song, but I chose to do the above song instead. Anyway, I heard “Hurt” for the first time in a country music chat room (believe it or not) and his vocals were so dark and full of real-life pain and…hurt. I knew of Johnny Cash before that, but to be honest, like the fool I was at that time, I didn’t care much for the older singers. It was not until later, after Johnny’s death that I, like so many other people, really listened to and appreciated him and his music. I read lots and lots of things about what he had done in life: so many to list, and I won’t go into that, but he has led such an amazing life and I find his music to be quite unique and incredible compared to everybody else and he was a huge influence on many of my favorite artists. I consider him to be my favorite classic country music legend, or legend in any music in general, and I truly cannot say enough things about him. I really think, had I the chance to meet him when he was alive, we would have so much to talk about.