44th Academy of “Country Music” Awards Reaction

No, I am not dead and yes, I am a horrific monster for being so neglectful to this blog.  I feel so bad for posting nothing new since middle February.  I’ve been pretty busy and overwhelmed with work, dealing with student loan crap, I took a birthday trip, and I procrastinated too too long.  I don’t have much time to make posts these days, but I figured tonight was feeling good and I wanted to voice my opinion on some new things.  First off, the ACMs that took place on Sunday night – what a travesty to watch! These things get worse every year, seriously.  Even as an optimistic person, I don’t see a lot of real hope for the future of (mainstream) country music…

(I know, symbolism can only go so far, but I edited the above pic this way because, once again, the awards were all about the money – thus the ugly green color lol. I also used the “shoplifter” font because every time I watch these things, I feel like something big has been stolen from me, and from country music. The exclamation point kinda symbolizes how the intended audience for this show has young people written all over it!)

To begin, I did watch most the show on Sunday night (I switched back n forth between the awards, and one of my new favorite TV shows, Celebrity Apprentice – which I gotta say, as much as I love Clint Black and his music, I really didn’t like him that much in this last episode, and I am shocked that he wasn’t fired, as he should have been…but I still enjoy his music hehe).  I didn’t watch all of the Awards (thank God), but will comment on what I remember…even almost a week later. Here are reaction blogs from CU, 9513, and CC.

So, anyway, Brooks & Dunn semi-opened the show with their hit, and one of my favorites, “Play Something Country” (which caught me by surprise because that was their single like two years ago?), which was soon interrupted by Taylor Swift, Sugarland, AND Rascal Flatts (and Carrie Underwood joined too) who all sang small segments of their hit songs, which cut back n forth between the artists, and ended with a sing-a-long to B&D’s song.  Now, cutting forward to Taylor later in the show: she gave an over-the-top/I’m trying-too-hard performance of one of her new songs with a piano and David Copperfield, which began with “magic” and ended with an exaggerated head-into-arms gesture, which was supposed to be acting I’m guessing?  Wow, tragic.  There’s about a million more sells from teenage girls who were touched by how emotional it was (and btw, “Album of the Year”? WTF?).  Sugarland sang some song, and like I’ve said many times before, I’m not a fan of their’s, so I skipped forward…just don’t like that accent.  I didn’t even listen to the Rascals. Yuck.  No more screeching, please.  Carrie performed “I Told You So” in a huge staged-sized red dress and did one of the best vocal performances of the night.  I may not care for the song, but she did really good.  She seems to perform live best with the slower tunes. (oh, and congrats to her Entertainer win, though I do wish Strait won it, for selfish reasons :p).

Reba McEntire is hosting again and that’s great.  I love her and there’s a sense of comfort with her.  She did well with hosting duties, like always, and she became one of my favorite performers of the evening with her new single, “Strange”.  That song reminds me somewhat of “I’m Gonna Take That Mountain” , just with some rock sounds.  Can’t wait to hear the studio version.

Kenny Chesney and “Out Last Night”.  Hmm…decent, but still boring.  Would have been cool to see him with Mac McAnally, instead.  One thing I gotta say: I’m glad he didn’t win anything! (I’m a meanie, I know, that’s for sure, but I mean it.)

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42nd Annual “Country Music” Association Awards

Just read some interesting live blogs (CU & The9513) covering last night’s award show and while my opinions lined up with their’s at times, I also had disagreements.  I did actually watch the whole show last night, “live” as it came to my Mountain Time home (so, in other words, an hour behind), because I wanted it to be fresh this year for me, and I know going online would mess up any surprises.  I also actually watched the live red-carpet show on CMT.  Since I did not do a live blog, I thought I might share my opinions right here as a day-after analysis.  And I ain’t gonna hold back…

(you like my picture above?  I made it green because, you know, after all is done and said, that’s what the awards were all about.  The green… and I don’t mean the environmentally-friendly kind)

On the red-carpet pre-show.  It was decent, but I was kinda wanting to see other people than the ones they interviewed. Remember, I’m going by my memory here, so I might miss out on some details.  Two things I remember: Jack Ingram‘s wife, Amy’s, oddly short dress: wow… don’t know what she was thinking lol, but no worries (I’m a guy, yes, but I thought it was a strange choice).  And I guess Alan Jackson‘s daughters are all into the pop-country craze, which I found interesting.  So cool to see him and his family, though.

For us, the awards didn’t televise until an hour after the red-carpet show, which I always hate because I wish I could see it live live.  Brad Paisley and Keith Urban started into the show with their duet, “Start a Band”, which I thought was cool that it was the first time they performed it together live, but I wasn’t too impressed, and waited for what was next.  When Brad finally performed his own song, “Waitin’ On a Woman”, it was nice too, but I wasn’t crazy for it.  Keith’s new song is anything but country, though I found myself liking it, for some reason (like I’ve noticed and posted before, I seem to like his really pop singles lol).  Not country at all but not bad.

I thought Paisley and Carrie Underwood, overall, did a fine job as hosts.  Of course, could have been done better, but it is a tough job to do, so I give them props for that.  Carrie did an amazing execution of “Just a Dream”.  I think it was a good idea to have the war widow speak before that because it gave it more meaning.  Definitely one of the best and moving performances of the night.  Also, congrats on her “Female” win.

I was stoked that George Strait won for “Single of the Year” for his excellent song, “I Saw God Today”.  I was pretty sure that “Stay” was going to win.  While we’re on the topic of King George, I gotta say his win for “Album of the Year” was even greater because I really like Troubadour and it was even more special that Lee Ann Womack got to present it to him (with Josh Turner) because they have such admiration for one another and George is one of her biggest heroes and she had won that award for the amazing There’s More Where That Came From years before.  I bet she’ll be accepting the award next year for Call Me Crazy.  Even better that producer, Tony Brown, went up there too! (he produced Strait’s & Womack’s latest projects).  Moving further in the program, honestly, George’s performance of “River of Love” was definitely not something I was looking forward to because I don’t really care for the song (too Kenny Chesney-like) but I think his vocals and the steel guitar save the song from being a total failure (in anybody else’s hands, it would be really bad).

Kellie Pickler.  I really don’t know what people see in her, to be honest.  Her personality is really cute, but dumb blondes don’t really do anything for me, unless I know the person and can’t tease them up front.  I thought her performance was the worse of the night.  I think she tries too hard and the music was way louder than her vocals.  Just a bad performance through and through.  Horrible.

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iCF Single Reviews #4 (Week of September 28, 2008)

I’m hoping that I can get this done tonight.  I wanted to do another round of single reviews, since I haven’t done one in about two months or so.  There’s a good amount of newer material waiting for me to get my opinionization on with (not a word, but I like the way it sounds), so here it goes.  I’m using the Radio & Records website chart for this week, and I will take a listen to every song to its entirety (if I can stand it), and give it a fair review.  Fortunately (or unfortunately) I have heard most of these songs already, since the XM Radio service in the car is gone (yes, I’m crying the blues – it is horrible without our baby) and I am now listening to normal commercial country radio.  Good thing for me is that I usually listen to the alternative/independent rock station here more, so I don’t have to deal with some of the problems that plague today’s country radio.  I’ll review as far long as I can get before I have to take off.  Time for critical iCF to return (my last recommendations fired me up!)…

01. “Don’t Think I Don’t Think About It” – Darius Rucker:

- Wow, did not think this song would reach number one!  I already reviewed it in my last post, and my opinion has changed slightly.  It’s still a good song and the music is still pleasant.  I’m OK with the vocals… a bit overdone with the “don’t thank I don’t thank about it” part.  Gets kinda old, but I’m happy for Mr. Rucker.  I have yet to really check out his new album but from the clips I’ve listened to, it’s good-sounding music.  3.5 out of 5 stars. Buy here!

02. “Everybody Wants to Go to Heaven” – Kenny Chesney:

- Already another hit?  Let me just say: George Strait does it much better (aside from the weird Jamaican accent thing he does at the end of his version…just bizarre).  I personally think it’s a disgrace that in years from now, Kenny Chesney will be considered a “legend” in country music history.  Thanks radio!  (I admit, I like a little of his music, but radio plays the heck out of whatever he releases, no matter what quality it is, so that’s not really saying much).  We’re in the Hurricane Kenny era, and our beaches are not safe.  2.0 out of 5 stars.

03. “She Never Cried In Front of Me” – Toby Keith:

- This is a different sound for Toby, and it’s not bad.  Not my favorite from him, but it’s a lot better than some of his other material that grew tiresome for me.  The production is heavy on the drums and electric guitar in the chorus, and with the strings, but whatever.  I like variety and I’m not really gonna complain here.  3.0 out of 5 stars.

04. “All Summer Long” – Kid Rock:

- Man, talk about overplayed… even on XM Radio, this song was cranked out on about every music station I listened to and I could not escape it.  I gotta give it credit: it’s a good song and very catchy, but all those listens, had me lunging for the next number to play anything but this.  Still, I’d rather hear this tune than hear the mother of overplayed songs – and the one that he took the music from – Lynyrd Skynyrd’s “Sweet Home Alabama” (don’t get started with that song…ahh).  3.0 out of 5 stars.

05. “Do You Believe Me Now?” – Jimmy Wayne:

- I also already reviewed this one and I was stoked and happy that it reached number one some weeks ago.  Now, Jimmy just needs to release his duet with Patty Loveless, “No Good for Me” (I’ve got no clip, unfortunately), and I’ll be in heaven.  4.5 out of 5 stars. Buy here!

06. “Just a Dream” – Carrie Underwood:

- The poppy piano intro music is a great way to start off this ballad, and it sounds beautiful with the voice to go with it.  She does tend to overdo it at times in the chorus, though, but it is distinguishable in her catalog.  The lyrics are just as good as the vocals, and this is probably one of her best singles so far.  I may not be a “fan” of her’s, but I support her.  4.0 out of 5 stars. Buy here!

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iCF Single Reviews #3 (Week of July 6, 2008)

I don’t want to overwhelm you with too many posts, because this massive amount of posting within days is not the norm around here lol, but I just felt like writing tonight. Just felt inspired by other blogs that I read today. Blogging can be very…therapeutic and admit it: it’s pretty fun (just like in real life, I like to express my opinion when I feel like it). O.K. Here’s Numero Tres… and just like last time, the numbers I chose are kinda odd, but I’m going to pick up where I left off last time: #17 and go to #36 (since that’s my lucky number ;) ). I’m getting my chart rankings from Radio & Records‘ site once again, though it is last weeks’ chart I’m using since they have yet to post the latest, but it doesn’t matter. On with the show…

17. “Learning How to Bend” – Gary Allan:

- When Gary started coming out with more rock/pop-sounding material, I was a bit weary. I did love his remake of “Best I Ever Had”, but I missed his more countrier stuff. With his new album, Living Hard, and its first single, “Watching Airplanes”, I initially didn’t like that song. I grew to love it because of the video and its footage of my Colorado’s Red Rocks and now I’m loving it. With this new one, it sounds good, and keeps with the heavy rock sound with strings and such, but I’m not feeling it totally. The chorus, especially, feels too much like the previous single. I don’t consider it “country”, but otherwise, overall, it’s not a bad tune. I wish Gary all the best (btw, does it bother anybody else when people misspell his last name into “AllEn”? I guess I’m nitpicky lol). 3.5 out of 5 stars. Buy here!

18. “Holler Back” – The Lost Trailers:

- I read a review somewhere a while back that mentioned that the idea of the song came from Gwen Stefani’s pop hit, “Hollaback Girl”, and that was interesting. I think this uptempo is somewhat catchy but for the most part, just sounds “B-A-N-A-N-A-S” and kinda annoying like the pop song (funny side note: coincidentally No Doubt’s “Don’t Speak” is on the radio right now as I’m writing this haha). Hopefully, The Lost Trailers have more offer than this, and can distinguish themselves from the other groups with similar names (too many of them!). 2.5 out of 5 stars.

19. “Every Day” – Rascal Flatts:

- Yeah… already reviewed that one last time. Still… 1.5 out of 5 stars.

20. “Do You Believe Me Now?” – Jimmy Wayne:

- I’ve come across this single several times on the radio and seriously thought I was listening to a rock station or something. The song could totally be played there with its heavy use of loud electric guitar and drums, even with it’s slight mandolin usage. Sounds like something Rob Thomas would release, which is not particularly bad because he’s a good singer, but does it belong on country radio? I really like Jimmy’s voice a lot and will forgive him for it, and the song alone is pretty good, so I’ll let it slide. 3.5 out of 5 stars. Buy here!

21. “That Song In My Head” – Julianne Hough:

- The beginning of this song reminds me Jo Dee Messina’s current single lol (I like to make a lot of connections, you see. And Jo Dee’s tune will be reviewed later on in the post). I think the song is alright. The voice is Kellie Pickler-ish (which is not good in my books) but I won’t hold that against her because Hough’s voice is better (she’s also very easy on the eyes). I do understand how it is to have a song stuck in your head all day: even bad ones do, and that’s when it drives you crazy. I like this dancer/singer’s effort but this is not a song I’d want stuck in my head: it’s too ehhh for me. 2 out of 5 stars.

22. “Troubadour – George Strait:

As anyone should know by now, I love George’s music (he’s my #1), but his current single fails to impress me. Even when I first heard it, I thought it was O.K. and even Vince Gill’s harmony wasn’t enough to change that. I dunno… I like what the lyrics say but something about it doesn’t grab me. I wish they didn’t release it as a single, but I may change my mind if I hear it enough and I like it more. I really hope the next single is his duet with Patty Loveless, “House of Cash”! (Oh btw, I also wish George would write more… he said he isn’t motivated, but his older songwriting work was good, especially the greatness of “I Don’t Want to Talk It Over, Anymore” from his box set.) 3 out of 5 stars.

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