Top 10 Least Favorite CM Radio Singles of 2009

Welcome to 2010! I told you I would make a least favorite list for 2009′s country radio singles and here it is (prolonged, yes, but it’s here). My Christmas and New Years were interesting, but good (first time my family and I have ever celebrated Christmas at a Thai restaurant – long story haha – and I also spent New Years Eve for the first time as a 21-year old in downtown Denver, which was entertaining and freezing). I’ve been lazy about going to the gym this past month, so now that this new decade is amongst us, I must partake to that healthier lifestyle again either tonight or tomorrow (probably tomorrow lol).

Keep in mind, like I said in my previous entry, I didn’t listen to a lot of country radio this year, so I am not aware of all of the bad songs from this year and I’m only going by what I hear and remember.  And the hippo? To be explained soon. Now to my list of…

Top 10 Least Favorite Country Music Radio Singles of 2009:

• 10. “River of Love” – George Strait:
  • Now you know why the top picture is hanging out there: I think that river looks filthy and those hippos are ugly, which is kinda like the song (hippos are very deadly too! – the comparisons can go on and on).  King George is my favorite artist of all time, but not even he can get away with recording a bad song.  This is one shining example. I don’t hate the song and there are definitely worst songs out there, but even with its radio success, it was an unappealing choice for a single, from an artistic standpoint and considering he had better choices from his Troubadour album.  The only sorta-saving grace of this Chesney-like downgrade is the steel guitar solo and George’s voice, otherwise, it’s just filler I try to like and occasionally sing along with, yet it’s bad stuff. This river stinks!
• 09. “Ride” – Martina McBride:
  • Another one of my favorites has found themselves on my naughty-list: Martina.  Lately, she’s kinda hit-or-miss with me, so this single wasn’t exactly a shocker.  Basically a “This Ones for the Girls” Part II-ish thing, but that’s not good.  I’m a very optimistic person, but give me a break: I guess it’s the feeling that this song is geared towards teenage girls again that gets me, and even if it isn’t, it just sounds like it. The lyrics are just weak. Vocals just okay this time.
• 08. “Sissy’s Song” – Alan Jackson:
  • I’m definitely getting burned at the stake for this one haha! I know the back-story to this and I appreciate his idea for a tribute song to her and all, but no disrespect intended, I just could never get into this one. The production, first of all, I do applaud its simplicity, however when you combine that sorta production with the melody and the vocals, it just sounds like a gnawing nursery rhyme to me. That being said, I love Alan Jackson and even though I’m not a fan of this song, I can see why people would embrace it.  Just not my cup of tea.
• 07. “It’s America” – Rodney Atkins:
  • Opportunistic. Guaranteed to be a hit because if someone says they no likey, they’re labeled as a terrorist-sympathizer lol. I love America, although when he sings about it, you almost feel ashamed haha (I’m kidding, but you know what I mean. It could have been done much better, all around – He’s only had one good single). And he needs to take off that damn cap!…

ACM’s “Artist of the Decade”: George Strait Review (Aired 05.27.09)

Rumors of my death are not clear, nor are they true.  I’ve been wanting to post but kept putting it off and did not have the time to execute it.  This review was a good way to get something in, without it being a recommendation.  I’m hoping this does not take too much time to write lol (but hopefully, still be long), so here goes!

Yeah my review is a bit postponed… it’s about a week and a half later and people probably don’t care about it anymore.  I ended up watching the tribute show the next evening after it aired because my eyes were glued to the Nuggets vs. Lakers game that night (my team lost, of course lol)…but anyway, I’ve been looking forward to this tribute show ever since I heard about it months ago.  The taping for this show took place the night after the ACM Awards in April.  George Strait is THE man and my favorite artist of all time, and it’s so cool to see this (sometimes) fine lineup of artists honoring him by performing his songs from throughout his career.  Overall, I immensely enjoyed and wish CBS would air re-runs so more people could see it.

Sugarland opening the show with their version of “Adalida”.  I usually don’t care for Jennifer Nettles‘s voice, but it worked really well here and you could tell she and the guy were passionate about it.  Though the lyrics are more suited for a male, it didn’t matter.  Love that Cajun feel!  YouTube performance video link.

Toby Keith followed with “Unwound”.  It had noticeably a slightly updated production but still kept the same basic sound, and Toby did an excellent job.  I haven’t heard his voice sound this good and spirited in years!  You don’t hear this song too often (unless you play it on iTunes), so it was a treat to hear it on here.  YouTube performance video link.

One of my personal favorites, Brooks & Dunn were next.  They chose, well Ronnie Dunn chose, for them to sing “The Cowboy Rides Away”.  This is a fine example of how well traditional country, a theme of cowboys, and B&D go together.  It even got Kix Brooks to sing along, in more than just harmony, equally on the chorus.  I really loved that, and Ronnie sang the hell out of the song.  YouTube performance video link.

The following performance was unique.  First, because the song choice is one of my least favorite Strait songs ever, and a song I don’t ever really listen to: “It Ain’t Cool to Be Crazy About You”.  The production on the original song, IMO, is so so boring and poppy, but with the second surprise, that being a duet of the song with Miranda Lambert and Blake Shelton, it was given new life and a more than tolerable listen.  They did a sweet job and it was nice to watch (Blake was also really funny in his opening words in regards to his Pure Country ode).  YouTube performance video link.

In a change to a non-Strait part of the evening, in a nod to past Decade Artist honorees, they added them into the show, with Keith Urban performing a medley of Marty Robbins‘s hits ["Singing the Blues", "El Paso", "A White Sport Coat (And a Pink Carnation)"].  I admit that Urban’s voice sounded good, but I still don’t buy him as a country singer, so the covers, to me, felt awkward and took too long.  He did better than three other people though, so I’ll consider it “OK”.  YouTube performance video link.

44th Academy of “Country Music” Awards Reaction

No, I am not dead and yes, I am a horrific monster for being so neglectful to this blog.  I feel so bad for posting nothing new since middle February.  I’ve been pretty busy and overwhelmed with work, dealing with student loan crap, I took a birthday trip, and I procrastinated too too long.  I don’t have much time to make posts these days, but I figured tonight was feeling good and I wanted to voice my opinion on some new things.  First off, the ACMs that took place on Sunday night – what a travesty to watch! These things get worse every year, seriously.  Even as an optimistic person, I don’t see a lot of real hope for the future of (mainstream) country music…

(I know, symbolism can only go so far, but I edited the above pic this way because, once again, the awards were all about the money – thus the ugly green color lol. I also used the “shoplifter” font because every time I watch these things, I feel like something big has been stolen from me, and from country music. The exclamation point kinda symbolizes how the intended audience for this show has young people written all over it!)

To begin, I did watch most the show on Sunday night (I switched back n forth between the awards, and one of my new favorite TV shows, Celebrity Apprentice – which I gotta say, as much as I love Clint Black and his music, I really didn’t like him that much in this last episode, and I am shocked that he wasn’t fired, as he should have been…but I still enjoy his music hehe).  I didn’t watch all of the Awards (thank God), but will comment on what I remember…even almost a week later. Here are reaction blogs from CU, 9513, and CC.

So, anyway, Brooks & Dunn semi-opened the show with their hit, and one of my favorites, “Play Something Country” (which caught me by surprise because that was their single like two years ago?), which was soon interrupted by Taylor Swift, Sugarland, AND Rascal Flatts (and Carrie Underwood joined too) who all sang small segments of their hit songs, which cut back n forth between the artists, and ended with a sing-a-long to B&D’s song.  Now, cutting forward to Taylor later in the show: she gave an over-the-top/I’m trying-too-hard performance of one of her new songs with a piano and David Copperfield, which began with “magic” and ended with an exaggerated head-into-arms gesture, which was supposed to be acting I’m guessing?  Wow, tragic.  There’s about a million more sells from teenage girls who were touched by how emotional it was (and btw, “Album of the Year”? WTF?).  Sugarland sang some song, and like I’ve said many times before, I’m not a fan of their’s, so I skipped forward…just don’t like that accent.  I didn’t even listen to the Rascals. Yuck.  No more screeching, please.  Carrie performed “I Told You So” in a huge staged-sized red dress and did one of the best vocal performances of the night.  I may not care for the song, but she did really good.  She seems to perform live best with the slower tunes. (oh, and congrats to her Entertainer win, though I do wish Strait won it, for selfish reasons :p).

Reba McEntire is hosting again and that’s great.  I love her and there’s a sense of comfort with her.  She did well with hosting duties, like always, and she became one of my favorite performers of the evening with her new single, “Strange”.  That song reminds me somewhat of “I’m Gonna Take That Mountain” , just with some rock sounds.  Can’t wait to hear the studio version.

Kenny Chesney and “Out Last Night”.  Hmm…decent, but still boring.  Would have been cool to see him with Mac McAnally, instead.  One thing I gotta say: I’m glad he didn’t win anything! (I’m a meanie, I know, that’s for sure, but I mean it.)

Top 20 Fav Non-Country Radio Singles of 2008

Since this is iCF Music (a stress on the “Music” part), I always intended to not just make it about country stuff, but my other musical likes (and also, to separate myself from anything labeled “country” that wasn’t country, that I might have liked lol).  It took me a while to decide for these radio tracks.  I tried looking up online to see if they were mostly played 2008 songs, and I believe that they are.  I know 2008 was 13 days ago, but whatever.

I know some songs and some artists on my list are not liked by some (radio overkill? just a bad song? so many varying reasons… lol), but during 2008, they were a big part of my life and made me happy.  I believe they are all mostly fast, uptempo songs because I tended to like those for my running and exercising purposes.  The list has radio singles from pop, alternative rock, mainstream rock, R&B, and dance.  Remember, none of these are country, so I’m sure some of my viewers won’t be interested in them lol, but I wanted to post them regardless.  Click on the song title to hear a clip, and the artist name to read more about them.

Top 20 Favorite Non-Country Music Radio Singles of 2008:

• 20. “Let It Die” – Foo Fighters:
  • This one I grew to like while working at my sandwich shop job, because I turned the radio on the alternative rock station, and I thought it was cool how the song builds up the the climax, starting  with a simple constant guitar pick, and eventually, explodes into a powerful electric-guitar heavy sound and with grittier vocals.  You’re right there with him, the whole time, and wait in anticipation for the tempo to get bigger.

• 19. “Won’t Go Home Without You” – Maroon 5:
  • I’ve always liked the distinctness of front man, Adam Levine’s, high-pitched vocals from other groups, and this song is no different.  I wasn’t too fond about it at first, but when my family picked me up from college in the summer, my sister played the heck outta this one on XM, and I grew to like it a lot.  It reminds me of our trip to San Diego afterward.  I just read online tonight that the guitar undertone in the song is based on The Police’s “Every Breath You Take”.  Cool.

• 18. “It’s Not My Time” – 3 Doors Down:
  • This single is very much their style and sound and proves 3DD is still at the top of their game.  Brad Arnold’s voice cuts clear across this and while it’s definitely not their best single, it’s still better than lots of songs.  Remember Arnold is the one who Tracy Lawrence had a duet with, featured in my recommendation?

• 17. “Don’t Stop” – Innerpartysystem:
  • Said to be inspired partly by Anna Nicole Smith and the whole celebrity culture of greediness and such, with the media attention and everything.  It’s sung from a first-person point of view from one of those kinda people: “I am the closest thing to God.  So worship me and never stop…“.  We, the public, keep feeding these people on with our obsession with their lives, and it is crazy.  What turned me on to the song, originally, was the music: very techno-ish.  Contains the “F” word haha, but makes the point of the song stick across better.

• 16. “Love Is Gone” (Radio Edit Remix) – Chris Willis & David Guetta:
  • Another one that I like mainly because of the music.  The vocals are okay, but the single is very catchy.  Makes you wanna get up and dance (techno-club-style).   A great track for running along with.  Apparently, it was huge in Europe, which is not a surprise.  Only complaint is that this is one of those singles that has a like a million remixes and stuff, so that gets to be too much.

• 15. “Hot N Cold” – Katy Perry:
  • Hahaha, oh man.  I would not even admit to liking this, even to my friends, but it’s very appealing to the ears and you can’t get it out of your head (I’m sure nay-sayers might agree too lol).  I didn’t care for her previous single, but “Hot” is so much better.  I know bi-polar folk like the one described here and believe me, you don’t wanna deal with it.  I think Katy Perry is weird and I refuse to watch her videos or performances, though I really enjoy this one, unfortunately.

• 14. “Don’t Trust Me” – 3OH!3:
  • These two guys hail from Denver, CO, just like me (their name comes from our city’s area code).  I originally didn’t like this song because I thought the line: “Shush girl, shut your lips, do the Helen Keller, and talk with your hips” was so stupid (and it still is, but a catchy lyric).  This blend of hip-hop and rock is not for the conservative type, for sure.  My favorite line would have to be “X’s on the back of your hands, Wash them in the bathroom to drink like the bands“, because it is brilliantly written.  I’m not saying I encourage underage drinking – I just think it’s clever songwriting.

iCF Single Reviews #6 (Week of December 11, 2008)

Wow wow wow.  I’m so neglectful of this blog sometimes lol.  I actually had started writing this post like the day after Christmas, but I never finished it and just kept it as a draft until now (I also erased some comments I made that wouldn’t make sense today lol – I just left the pic of Toby there).  Anyway, I’m here to review some singles I have yet to have voiced my opinion on, so far.  This is based off of the current R & R chart rankings.

10. “Down the Road” – Kenny Chesney & Mac MacAnally:

- Can’t believe I’m saying this, but this song isn’t too bad.  I like the acoustic and simplicity it has and I’m glad Kenny experimented on something kinda different here and introduced us to MacAnally.  Not an incredible song or anything, but gotta give this Jimmy Buffett-wannabe some credit (and credit for ditching the puka necklace – that was getting so old, man).  2.0 out of 5 stars.

12. “Sweet Thing” – Keith Urban:

- I kinda reviewed this in my CMA Awards reaction post, and it was actually favorable.  Urban did a solidly gripping performance of his new single and it stood out.  I would not consider it country at all, but damn, is it catchy.  I think some of the verses’ sound are reminiscent of Rascal Flatts’s (horrific) remake of  “Life Is a Highway”, but Urban is miles better than them (but just as pop, IMO) and the comparison with those songs only lies there.  This single’s chorus, as mentioned in other online reviews, is similar to Urban’s other songs, like “Better Life” and “Somebody Like You”, however it is still pretty fresh.  Surprisingly, I like the “do do do do do“s, and I think a lot of my likeness for the song began with the CMA performance, in which I first heard the song debuted.  Not country at all, but I like it, and bought the Mp3 on Amazon.com (well, I used my Pepsi free points to get it, so I don’t feel so guilty supporting him lol).  4.0 out of 5 stars. Buy here!

13. “God Love Her” – Toby Keith:

- This is actually my first time hearing this (btw, that is a nice pic of Toby above), and I don’t think it’s great or horrible – kind of in the middle.  Definitely a more mainstream-rock/poppier sounding Toby, with a similar feel of “Whiskey Girl”.  It’s catchy, though a little overproduced.  I wouldn’t call myself a Toby fan anymore, by no means (I think that shipped sailed several years ago – he just got annoying).  Nothing special here.  2.0 out of 5 stars.

14. “Cowgirls Don’t Cry” – Brooks & Dunn with Reba McEntire:

- Like I’ve said before: I’m lovin’ that B&D brought back the fiddle to their music! It’s been absent way too long.  This song is classic Brooks & Dunn, like their old stuff in the ’90s and I love it.  Bringing on Reba made it even better (though, I think this new recording sounds too “live” and it was edited in somewhat oddly).  I would comment more, but I’m considering another post on them in the future, so I don’t wanna repeat myself.  Cool music video too! 4.5 out of 5 stars. Buy here!

16. “River of Love” – George Strait:

- Don’t want to say much about this huge disappointment of a single (and a song), especially since Strait is my #1, because it’s just a bad choice of a song to record.  Nice steel guitar but not even the King could get me to like this.  Now, I really see how radio stations will play just about anything from certain people, regardless of the quality, even from some of my favorites.  This is a shipwreck, in my eyes, but of course it will be a top 5.  1.5 out of 5 stars.

Top 16 Favorite CM Radio Singles of 2008

It took me a while to think up of a list.  I wanted to keep it mainly mainstream-based (my excuse for not including alternative country/americana singles, those of which I really couldn’t list lol).  I didn’t listen to a whole lot of mainstream country radio this year, as compared to past years, because of, of course, XM Radio and my iTunes/iPod.  My list definitely includes, and excludes, singles that other sites have placed on their year-end lists.  For my own, I was bent on making sure that the tracks considered were mostly 2008-played singles, and so I came up with these.  Some of these are surprises and others maybe not so much.

Happy New Years to everyone and hopefully your 2009 is much better (I know the first half of my ’08 was much better than the second, but I am satisfied with the time I got the spend the time with my family over this time – and kinda crazy – but it’s been a great year).  Btw, the pic above I chose because I was pretty green the whole year and I thought it looked nice, especially as a negative, as it is now)

Time to reveal my:

Top 16 Favorite Country Music Radio Singles of 2008:

• 16. “No Air” – Rissi Palmer:
  • Call me surprised as well.  When Rissi first came about, I supported her, but didn’t particularly care for her debut single (“Country Girl”).  It wasn’t until I heard her “countrified” remake of Jordin Sparks & Chris Brown’s pop hit, “No Air” that I became really interested.  Though Rissi’s version is still very poppy, I find myself lovin’ the heavy fiddle, mandolin, and steel production with the catchy vocals.  Too bad it wasn’t a hit.  Woulda been sorta cool if she maybe made this a duet with Keith Urban or something.

• 15. “Workin’ for a Livin’” – Garth Brooks & Huey Lewis:
  • Hahaha, another remake, I say?  Yes.  I find this a very catchy track, and it’s classic Garth: full of bluesy harmonica and rockin’ fiddle.  It’s like a hybrid of “Ain’t Goin’ Down (‘Til the Sun Comes Up)” and “Beer Run”.  To be quite honest, before this, I didn’t really know who Huey Lewis was, but had heard of him.  The music video is really cool and liking the NASCAR-theme.  Definitely a fun number to listen to and the lyrics are totally true.  I could do without the “working” female background vocals, however.  They’re annoying lol.

• 14. “Sounds So Good” – Ashton Shepherd:
  • The song title explains itself on how I feel about the track.  I love her über-twangy accent (I used to hate when people used that term, but it’s fine if I do it) and it confirms how much she loves being at home in the country.  Reminds me of the summer and of being out in the Arizona desert.  It’s contemporary country with traditional country soul.  I’m glad this song got played a decent amount, which was more than expected since radio kinda sucks.

• 13. “You and Me and Time” – George Jones & Georgette Jones:
  • I don’t think this song went anywhere on the charts, and was one of the best songs of 2008, IMO.  Georgette has such a beautiful voice and it’s very reminiscent of her mother, Tammy Wynette.  The song is about her childhood relationship with her father, and his absence that shadowed those times, and now, they’ve got time to be closer than ever.  It’s a sweet and pure country duet.  In the chorus, I love the pause after “time” and before “finally got together“… awesome.

• 12. “Rocks In Your Shoes” – Emily West:
  • Another one gone… newcomer Emily West really impressed me this one.  Very poppy, but as proven, country-pop can be done well, and she did it.  She got the title of the song from a phrase her grandfather used to say, if I’m not mistaken, and it took a big meaning.  Her voice reminds me of a younger, playful Patty Loveless.  One of the most catchiest songs of the year.  Check out her EP.

• 11. “His Kind of Money (My Kind of Love)” – Eric Church:
  • My favorite single from this guy.  I’ve never been too big on him, but have always liked this singles.  I really like the message of this song…money can’t buy everything, and you’ll realize that.  It can’t replace real and good love.

Recommendation XXXX: Alan Jackson (triple-track)

Oh yes, we’ve gone and done it – we’ve made it to number forty.  I had no idea how long it would take us to reach here, but it’s been quite a journey of good music.  I’ve certainly got some worthy ideas for my upcoming recommendations/blog entries, but I like to wait and leave some space in between each one, because I feel that if a post gets buried under others, people are less likely to read it, it seems.  This one is extra special because of the artist and the big number.  Words really cannot express either one.  So, without, further ado…

My fortieth recommendation is/are: Alan Jackson’s “A Little Bluer Than That” from his 2002 Drive album, “Leave a Light On” from The Wrights’s 2005 Down This Road album, AND “Good Imitation of the Blues” from his 2006 Like Red On a Rose album.  I did tell you, or hint, that Mr. Alan Jackson would be next in the CMT Giants entry, and that time has finally arrived.  Yeah, seeing that it is forty, seems like four songs would be a better choice, but I didn’t want to overextend myself in writing lol – three is a good enough amount for me!  I also thought about choosing a Christmas song from Alan, since it is the season, but I passed (bah humbug).  Alan is my second all-time favorite artist, behind George Strait, and just before Brooks & Dunn.  His hard-core neo-traditionalism has always been one of the main reasons I’ve been drawn to him, and his music is a huge part of my upbringing in the late 80′s, ’90s, and til today.  Alan’s songs have always had that signature sound to it: traditionalism with touches of modern production added to it, that’s been a big part of his appeal and that simplicity to the music he writes and records.  He’s one of Georgia’s best exports, and we sure are glad to have him.  I won’t go through all the tunes that go along with my different (precious) memories, because that would take forever, and I did talk about him in good length on the Giants entry, so here’s what you’ll get.  From the man who brought us the pure dark-honesty of “Here In the Real World” to today’s silly, innuendo-laced “Country Boy”, let’s talk more about the A-Jax.

myTunes 36 Most Played Songs (12.10.08)

I’ve been thinking about doing this for quite some time – revealing what my top played songs are on iTunes.  By default, the most played playlist is set at 25 or something, but since 36 is my lucky number and 36 just happens to fit perfectly in the height of laptop screen monitor (to where I didn’t have to scroll down to see the whole list), it worked out so so good.

Revealing this list, for me, feels like letting out my public tax return information to the public lol (well, it wouldn’t be big at all, but just imagine that I’m a celebrity and this is now common knowledge).  I’ve got nothing to be ashamed of, though some of my choices and rankings of some songs and artists might surprise/turn off/turn on some people, so it’s your choice on what you’ll decide to think of me from now on hahaha.  Whatever, though.  We all have our guilty pleasures/inner demons :p.

I’ll list it backwards, from #36 to #1.  It’s pretty accurate (well, these are based on plays from when I uploaded the tracks to my laptop’s iTunes in summer 2006, and from iPod plays, so it’s based from then).  You will see my varying tastes, from traditional/pop/alternative/rocking/country,bluegrass, rock, pop, and alternative rock.

These below are my stats, as of this moment, Tuesday night, December 9th. 2008 @ 11:23pm (out of about 39,000 plays):

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.

iCF Music Site Rolodex (11.19.08)

I am loving the new amount of traffic that’s been coming through here lately (I had about an average of 35-40 different people per day reading the site this week, which is pretty impressive for this blog).  July had the most visitors for the month, but it died down as my blogging lagged, and that makes sense since people lose interest when there’s nothing new lol.  We’ll see how the end of this month does compares to then!  I actually had lots of visitors for the CMA Awards entry (probably because of all those artist tags ha).  I gotta thank Ken Barnes from the “LISTEN UP” USA Today Blog, for linking to this site for this week’s playlist for his Crystal Shawanda recommendation (there are others on the list as well)  Anyway, for this entry, I wanted to recommend the links from my “Other cool music sites” heading on the right, and explain why I chose them to be there.  This is one of my tributes to them and their great work (you can see my “blogroll” tribute here).

(I chose this picture because it was cool and kinda signified the link between my site and these other sites.  They are part of the puzzle that makes the online music world greater.  We may not always “fit in” with others, but we make it work, somehow.  A “necessary connection”, if you will.  Alright, enough with all the corniness.  It’s mostly because I think it’s cool to look at!)

So, let’s get to it.

iCF Music Site Rolodex:

> .::Strait-LAW Forums::. :

- O.K. I admit; this is a shameless plug for one of my own other sites lol, but why not?  It needs more traffic especially with all the info that’s been posted on it.  It’s a message board dedicated to two of my favorite artists, George Strait and Lee Ann Womack.  I spent lots of time on it over the years (the forums officially started July 2004!) and it has changed much since then.  It used to be only a Womack board, but became Strait too, in May 2005.  It’s had its in and outs, but I called it everything but quits ;).  Anyway, not to give a history lesson, but you can read more about the history here and check it out!  Tag-line is: “It’s where you’ll get the good news and the bad news (and anything in between)” - a reference to their first duet.

> All Music Guide :

- One of my absolute favorite sites I go to.  I constantly visit them to read their reviews and listen to audio clips for music.  I used their clips for this site because they’ve got tons of music to sample.  I really like the way all the information is organized and I’ve learned a lot, musically, from there.  They’ve got a music blog too, but their entries about country music seem to be lacking…

> Angry Country :

- This is an online magazine with plenty of country album/concert reviews, interviews, news, and such – “Honest Country Music News” is their tag-line.  I enjoy this site, though I do remember when it was different in the past and a bit more critical (which is more to my liking lol) on artists and a bit more traditional-sided.  Guess they’re not as “angry” as they used to be.  Still a worthy place to visit, for sure.

> Country Interviews Online :

- Just like it says, this is the site to go to for interviews and Q&A’s and also, CD/concert/video reviews and lots more!  There are a good amount of pages I still need to get through!  So much.  The site is structured around frames, so it’d be kinda hard for a visitor to link to a specific page if they didn’t know the whole “right click, copy properties” method, but it’s a nice set-up, overall.

> Country On-Demand :

- This site always impresses me with its colorful, diverse images and consistency with the latest country news.  I believe the site is run by Derrick and Dustin, both gentlemen who I’ve run across and talked to online many times and they’re good guys and have a huge commitment to the site and are also huge fans of country music (how’s that for a run-on sentence, but it’s true).  I’m so glad the site seems to be going strong and I’m a big supporter of it all.  They be goin’ places! Definitely check it out.