Top 16 Favorite CM Radio Singles of 2008

It took me a while to think up of a list.  I wanted to keep it mainly mainstream-based (my excuse for not including alternative country/americana singles, those of which I really couldn’t list lol).  I didn’t listen to a whole lot of mainstream country radio this year, as compared to past years, because of, of course, XM Radio and my iTunes/iPod.  My list definitely includes, and excludes, singles that other sites have placed on their year-end lists.  For my own, I was bent on making sure that the tracks considered were mostly 2008-played singles, and so I came up with these.  Some of these are surprises and others maybe not so much.

Happy New Years to everyone and hopefully your 2009 is much better (I know the first half of my ’08 was much better than the second, but I am satisfied with the time I got the spend the time with my family over this time – and kinda crazy – but it’s been a great year).  Btw, the pic above I chose because I was pretty green the whole year and I thought it looked nice, especially as a negative, as it is now)

Time to reveal my:

Top 16 Favorite Country Music Radio Singles of 2008:

• 16. “No Air” – Rissi Palmer:
  • Call me surprised as well.  When Rissi first came about, I supported her, but didn’t particularly care for her debut single (“Country Girl”).  It wasn’t until I heard her “countrified” remake of Jordin Sparks & Chris Brown’s pop hit, “No Air” that I became really interested.  Though Rissi’s version is still very poppy, I find myself lovin’ the heavy fiddle, mandolin, and steel production with the catchy vocals.  Too bad it wasn’t a hit.  Woulda been sorta cool if she maybe made this a duet with Keith Urban or something.

• 15. “Workin’ for a Livin’” – Garth Brooks & Huey Lewis:
  • Hahaha, another remake, I say?  Yes.  I find this a very catchy track, and it’s classic Garth: full of bluesy harmonica and rockin’ fiddle.  It’s like a hybrid of “Ain’t Goin’ Down (‘Til the Sun Comes Up)” and “Beer Run”.  To be quite honest, before this, I didn’t really know who Huey Lewis was, but had heard of him.  The music video is really cool and liking the NASCAR-theme.  Definitely a fun number to listen to and the lyrics are totally true.  I could do without the “working” female background vocals, however.  They’re annoying lol.

• 14. “Sounds So Good” – Ashton Shepherd:
  • The song title explains itself on how I feel about the track.  I love her über-twangy accent (I used to hate when people used that term, but it’s fine if I do it) and it confirms how much she loves being at home in the country.  Reminds me of the summer and of being out in the Arizona desert.  It’s contemporary country with traditional country soul.  I’m glad this song got played a decent amount, which was more than expected since radio kinda sucks.

• 13. “You and Me and Time” – George Jones & Georgette Jones:
  • I don’t think this song went anywhere on the charts, and was one of the best songs of 2008, IMO.  Georgette has such a beautiful voice and it’s very reminiscent of her mother, Tammy Wynette.  The song is about her childhood relationship with her father, and his absence that shadowed those times, and now, they’ve got time to be closer than ever.  It’s a sweet and pure country duet.  In the chorus, I love the pause after “time” and before “finally got together“… awesome.

• 12. “Rocks In Your Shoes” – Emily West:
  • Another one gone… newcomer Emily West really impressed me this one.  Very poppy, but as proven, country-pop can be done well, and she did it.  She got the title of the song from a phrase her grandfather used to say, if I’m not mistaken, and it took a big meaning.  Her voice reminds me of a younger, playful Patty Loveless.  One of the most catchiest songs of the year.  Check out her EP.

• 11. “His Kind of Money (My Kind of Love)” – Eric Church:
  • My favorite single from this guy.  I’ve never been too big on him, but have always liked this singles.  I really like the message of this song…money can’t buy everything, and you’ll realize that.  It can’t replace real and good love.

Recommendation XXXXI: Ashley Monroe & Trent Dabbs

I’m back… been a long week and I am tired (yawn express). Long long day at both jobs. I still cannot believe that it’s December already and ’08 is almost over (I will not not be doing a “Best Albums of 2008″ edition, sorries… maybe a best single thing. I dunno.)  Anyway, no real big update on me.  Just started paying off some loan stuff, and other payments (total craziness.  I should be spending the money on Christmas gifts! haha.)  Btw, I just recently watched The Happening on DVD, and it really really sucked.  Horrible, horrible movie in every way possible.  Now, every time I see and hear Mark Wahlberg talk, I think of that SNL bit.  Here’s to forty-one…

My forty-first recommendation is: Ashley Monroe & Trent Dabbs’s “Laying Low” from their 2008 Ashley Monroe and Trent Dabbs – EP album.  Yes, I am on a duo craze right now.  I have mentioned them before, in my Brooks & Dunn recommendation, and I discovered their music in July earlier this year.  I was real curious to know what Ashley Monroe was doing ever since her exceptional (but never released) debut album fell through with Sony Nashville.  From the clips I heard of that album, I seriously think it could have been the best debut album from anyone, that I’ve ever heard (even rivaling Lee Ann Womack‘s debut, whom Ashley somewhat sounds like.  She also reminds me of Dolly Parton and Jewel).  Country radio had a big play in us never hearing it, and they missed a huge opportunity by not playing Ashley’s music.  At least, she’s doing decent as a songwriter, but her singing is just incredible and should be heard by everyone.  I was excited to see she was making new music on her myspace page, and even more thrilled to see she created new tunes with a person I had never heard of: Trent Dabbs.

Recommendation XXXX: Alan Jackson (triple-track)

Oh yes, we’ve gone and done it – we’ve made it to number forty.  I had no idea how long it would take us to reach here, but it’s been quite a journey of good music.  I’ve certainly got some worthy ideas for my upcoming recommendations/blog entries, but I like to wait and leave some space in between each one, because I feel that if a post gets buried under others, people are less likely to read it, it seems.  This one is extra special because of the artist and the big number.  Words really cannot express either one.  So, without, further ado…

My fortieth recommendation is/are: Alan Jackson’s “A Little Bluer Than That” from his 2002 Drive album, “Leave a Light On” from The Wrights’s 2005 Down This Road album, AND “Good Imitation of the Blues” from his 2006 Like Red On a Rose album.  I did tell you, or hint, that Mr. Alan Jackson would be next in the CMT Giants entry, and that time has finally arrived.  Yeah, seeing that it is forty, seems like four songs would be a better choice, but I didn’t want to overextend myself in writing lol – three is a good enough amount for me!  I also thought about choosing a Christmas song from Alan, since it is the season, but I passed (bah humbug).  Alan is my second all-time favorite artist, behind George Strait, and just before Brooks & Dunn.  His hard-core neo-traditionalism has always been one of the main reasons I’ve been drawn to him, and his music is a huge part of my upbringing in the late 80′s, ’90s, and til today.  Alan’s songs have always had that signature sound to it: traditionalism with touches of modern production added to it, that’s been a big part of his appeal and that simplicity to the music he writes and records.  He’s one of Georgia’s best exports, and we sure are glad to have him.  I won’t go through all the tunes that go along with my different (precious) memories, because that would take forever, and I did talk about him in good length on the Giants entry, so here’s what you’ll get.  From the man who brought us the pure dark-honesty of “Here In the Real World” to today’s silly, innuendo-laced “Country Boy”, let’s talk more about the A-Jax.

myTunes 36 Most Played Songs (12.10.08)

I’ve been thinking about doing this for quite some time – revealing what my top played songs are on iTunes.  By default, the most played playlist is set at 25 or something, but since 36 is my lucky number and 36 just happens to fit perfectly in the height of laptop screen monitor (to where I didn’t have to scroll down to see the whole list), it worked out so so good.

Revealing this list, for me, feels like letting out my public tax return information to the public lol (well, it wouldn’t be big at all, but just imagine that I’m a celebrity and this is now common knowledge).  I’ve got nothing to be ashamed of, though some of my choices and rankings of some songs and artists might surprise/turn off/turn on some people, so it’s your choice on what you’ll decide to think of me from now on hahaha.  Whatever, though.  We all have our guilty pleasures/inner demons :p.

I’ll list it backwards, from #36 to #1.  It’s pretty accurate (well, these are based on plays from when I uploaded the tracks to my laptop’s iTunes in summer 2006, and from iPod plays, so it’s based from then).  You will see my varying tastes, from traditional/pop/alternative/rocking/country,bluegrass, rock, pop, and alternative rock.

These below are my stats, as of this moment, Tuesday night, December 9th. 2008 @ 11:23pm (out of about 39,000 plays):

51st GRAMMY Award Nominations / CMT Giants: Alan Jackson

I know I haven’t posted in a while (been busy and lazy and uninspired lol).  Since I did my afterthought review on the CMAs in November, I figured I’d do one for these two important items (as you can see from my glorious poster-like creation on the right side in this entry lol):

- The 51st Grammy Award Nominations

and

- CMT Giants: Alan Jackson

I decided to combine my thoughts into one post, since I’d rather not make two separate ones (I like them big posts!  Tags’R'Us).  Believe me, there are better ways of organizing these opinions, but I don’t feel like worrying about it lol.  They are placed in different sections.  Scroll down for the CMT Giants review.

The nomination for the 2009 Grammy Awards were announced a few days ago, and I’ve already commented on them already at a few sites, but here’s my more extensive analysis.

First of all, as I first read through the list, I was absolutely thrilled by their choices.  The Grammys has a respectable tendency in its history to appreciate and honor actual good music (well, in the country genre, at least.  I’m not sure about other genres.), and while they do have some questionable choices sometimes, they are definitely a lot more smarter and better judges when it comes to art and music than people are for say… country award shows (yeah, record sells always equal talent, don’t they Nashville?).  The Grammys enormously pleased me with the Dixie Chicks wins last time.  Anyway, like other people online have commented, the nominations for 2009 (or is it for 2008?  Whatever it is, for the upcoming awards) are really exciting and one of the best they’ve ever came up with.  I’m not going to list all the nominations or the categories, but I’ll give my opinion on what songs I want to.

Let’s start in the country genre (here’s an easy list to look at for country related noms from CU and here for the full noms), and let’s look at the nominations for “Best Female Country Vocal Performance”.   I thought they were pretty good, though I wouldn’t necessarily place Martina McBride‘s song in that category (it’s a decent song, but there are better choices).  I’ve never heard LeAnn Rimes‘s song until just right now: wow, very good vocals and not a bad song.  My choice (unsurprisingly) would be Lee Ann Womack‘s “Last Call”.  I wouldn’t mind if Carrie Underwood or Trisha Yearwood‘s songs won, because I love those ones too.  I’m glad Taylor Swift was left off.

Now: “Best Male Country Vocal Performance”… I’m not really blown away by any of those songs, but they’re not horrible horrible choices.  I gotta go with my man, George Strait, though.  I’ve grown quite a liking to “Troubadour”, as I heard it more as a radio single.

“Best Country Performance By A Duo Or Group With Vocals”.   Hmm… I’m gonna have to go with Lady Antebellum.  But wow, I just listened to The Steel Drivers‘s “Blue Side of the Mountain” and I love it… edgy mountain-sounding vocals with hard-driving bluegrass instruments.  Will definitely check them out!  Looks like Chris Stapleton sings for them… forgot about that.  I’d be fine if Sugarland‘s song or Brooks & Dunn‘s won too, but definitely don’t want Rascal Flatts to win a thing.

I really like the choices with “Best Country Performance by a Duo or Group With Vocals”, except for the obvious song that stands apart from the rest: the Kenny Chesney/Strait duet (which is only saved by George, but is still not a good song).  You know I’m dig the Alison Krauss/Robert Plant song (more on them later), and the Strait/Patty Loveless duet (my two most favorite male and female artists singing and honoring Johnny and June Carter Cash?  Excellence-ness.  And I hope they win).  Oh yeah, I’m not too fond of “Life in a Northern Town”, like I mentioned in my song review months ago (I would rather hear Chesney and Strait’s tune, to be quite serious).  I enjoy Trisha Yearwood‘s (with Keith Urban‘s harmony) song, so if she won, I wouldn’t cry.  It’s very nice.